In Conversation with Bob Geldof’s Drummer of 25 Years and Author of Timing Is Everything (a Memoir), Niall Power

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There aren’t many people who know me who don’t know how much I love Bob Geldof and The Boomtown Rats. Even though I’m not always up to date with the latest camp Geldof news, it’s a love that has lasted for 40 years. So, when Bob’s drummer of 25 years (for his solo career), Niall Power, wrote to me through Facebook to advise me of his story since their last Canadian tour, I was at first delighted and then saddened by the news of his retirement from drumming due to Parkinson’s disease. However, it didn’t take long to realize that this is a man who doesn’t let life get him down, which is evident upon reading Timing Is Everything, Niall’s inspiring memoir, published in 2017.

Niall, after reading your book, I was left with the impression that you consider yourself an ordinary man, perhaps quiet and shy, certainly easy-going, who just happened to have a passion for drumming. However, although you never had a plan for your music career, you ended up having quite an extraordinary experience as a session musician, playing for many bands, including Stepaside, Les Enfants, Ordinary Man, Eamonn Gibney, Westlife and most notably, Bob Geldof, with whom you performed for 25 years.

How does a musician get as far as you have in his career without a plan?

I can sum that up in one word, ‘Luck’.

I never set out to be a session drummer and end up playing with so many bands.
As a teenager in the early 1970s, my ambition was to form my own band with my friends, write our own songs and hopefully be the rock gods of the future, like our idols, Led Zeppelin or Deep Purple.

Niall Power 1960

Niall Power in 1960.

My dad was a soldier in the Curragh Camp, Co Kildare, and there were two army marching bands who paraded past our home on most days. I loved their drummers from an early age. There weren’t many teenagers playing musical instruments in the area, so it was always going to be difficult to finalize a lineup for the band.

I was playing the unfashionable accordion and wearing a kilt in the school band during

Niall Power in 1970 on left with accordion.

1970, on left, with accordion.

the ‘Summer of Love’ in 1967. But as soon as I heard The Beatles on the radio, I realized then that I had to learn how to play another instrument to be in a rock band.  I chose the drums after seeing Mickey Dolenz, drummer with The Monkees on television, larking around and generally having fun.

After a few years of practice, much to the annoyance of the neighbors, I finally mastered the art of drumming and set out to join any band that would have me. I had no plan of action for how I was going to achieve this. My armory consisted of my dodgy first drum kit, long hair, a smile and buckets of enthusiasm for the task ahead.

For someone who clearly states in the preface of your book that you are not a writer, I congratulate you on the great achievement of having compiled your memoir, Timing Is Everything, which was written on an iPad with the index finger of your right hand! That, in itself, is a testament to your passion and determination to see a project through to its completion, and your resilience in the face of adversity. You are truly an inspiration, not just because of your drumming prowess, but because of the strength of your character.

I couldn’t help but notice your incredibly positive attitude about life in general and wondered to what would you attribute it?

My attitude to life has never changed from the outset.

I had a very safe and happy childhood and I seem to have kept that feeling with me throughout my musical career. My parents always encouraged me to follow my heart, even though they probably didn’t understand how you could possibly make a living from hitting things, whilst hoping I would come to my senses and get a proper job.  I don’t worry about stuff, including Parkinson’s. Above all, I love playing and creating music, just seeing people in the audience responding in kind to the noise that we make is good enough for me. Not many people get to live out their dreams every day…it’s been some trip.

“And what a drummer. Without question one of the best. I know from whence I speak. In the course of my 40 years playing rock ‘n’ roll, Niall Power is up there/alongside/on par with/equal to literally the Big Hitters. He’s a fucking amazing player.”

 

“Man he can sing.”

 

“He glued the band together. Everyone loved him. He was the spirit of the thing. The joy of it. The love of gigging. The fierce ecstasy of playing music…What a man to travel the world with for over 25 years. What a friend to share so much of your life with. The things we’ve done and seen and been together. He’ll remember. I won’t.” 

~ Bob Geldof, Introduction to Timing Is Everything

In the introduction of your book, written by Bob Geldof, he says that the tedium of touring never seemed to affect you. How was that possible? 

Sure, life on the road can be tedious at times. You’re living in a bubble with other musicians and roadies with deadlines to meet every day. Things can get a bit out of hand, tempers flare, we’d do a bad gig, one person thought the gig was great, the other five thought it was crap. Musicians live for the road and as much as I like travelling on the tour bus (your home away from home), it’s only okay for a few weeks. I loved waking up in a different country each day and going for a walk down the Champs Elysees in Paris after being in Amsterdam the previous night. But you also need to stop touring, stop moving at the speed of sound and be at home with your own family. I have always kept a low profile on the road and steered clear of any aggravation that may have been brewing from time to time. As our tour manager ‘The Mick’ (RIP) used to say, “we’re only up for the day.” 

You played with Bob for the Live 8 concert on 2 July 2005 which was undoubtedly one of, if not the biggest, career high of your life. I know that the experience must have been surreal, but what singular treasured memory do you take away from that event? 

I have many memories from that great day in July at Live 8.

The one that sticks in my mind the most is the fact that I had to play someone else’s drum kit without seeing it first. As I play left-handed, the kit was set up right-handed for the previous band’s drummer. So, I walked on stage in front of thousands of people in Hyde Park, live to the world on television, with no time to swap things around.

The song was ‘I Don’t Like Mondays’ and was probably the only song that I could play with the kit being the wrong way around. There was also no vocal microphone, so I did the backing vocals, “tell me why”, into fresh air. You can view this video on YouTube.

It was amazing hanging out backstage with all the other acts including Beatle, Paul McCartney, who signed a copy of my Beatles White Album CD cover, which I just happened to have in my pocket. Timing is Everything! 

 

Do you know if Bob has any plans to record a new album? If so, will you be singing background vocals on it? 

As far as I know, The Boomtown Rats are due to release a new album in 2019.

There are no new recording plans for another Bob solo album this year. I would hope to make a cameo appearance on backing vocals, when and if the opportunity arises.

I cannot help but ask, is there anything you can tell Bob’s super fans about him that they wouldn’t already know? 

Niall Power and Bob Geldof

2011 London. Photo by Eddy Valdameri.

I don’t usually comment on Bob, but I will say it has been a great pleasure to have had the opportunity to keep the beat behind him for all those years. I never expected it to last more than one tour. A truly amazing time that I will remember forever. His most thoughtful words to me were when I was first diagnosed with Parkinson’s. He said, “You have a job for life in this band.” I replied, “What if I can’t drum?” He said, “We’ll find something for you to do,” so I ended up playing the spoons. 

Do you think that your remarkable memory is simply due to genetics or a result of years having to remember so many songs? 

I put the memory thing down to the fact that I loved every minute of being in a band. It’s not just the Geldof band, but all the bands that I’ve been involved with. I can recall the musicians, most of the songs and how to play them, the venues, the years, etc.; it just seems to stay with me.

Don’t ask me to add and subtract as that part of my memory is definitely missing. 

Have you ever researched whether spicy food such as the Indian curry you so love, may have a positive effect on your brain?

I never looked into the benefits of spicy food on the brain.

Many musicians have a fondness for Indian curry and while visiting a new town with the band, someone would always be on the lookout for the best Indian restaurant.
My DNA tells me that way back many centuries ago, my ancestors are likely to be of Middle Eastern origin, so that’s good enough for me.

I love that your favourite television program during the 1960s was The Monkees! I was born in 1964 but I also remember watching that show when I was a kid and loving it. Have you ever been able to play with Mickey Dolenz? Did you know that he and Mike Nesmith went back on tour last year as The Monkees Present: The Mike and Mickey Show before Nesmith had a quadruple bypass? It might not be too late for you to jam with them! 

Yeah, as mentioned previously, The Monkees were a big part of my musical influences. Every Saturday evening, they were featured on our RTE channel. We only had one TV station in the sixties and music programs were few and far between. It was always ballad singers or light entertainment TV shows with very little choice for young people. Radio was the only option to hear the pop tunes of the day like The Beatles or The Rolling Stones. The Monkees were a breath of fresh air in a dull television schedule.

I met their drummer Mickey Dolenz in Nottingham, England in 1985 when he was working for a TV station. Charming man, and I told him how I would copy his drumming style with my air drumming in front of the television. He’s likely responsible for me being a left-handed drummer as he never seemed to set his kit up the same way twice. He wasn’t a drummer at all, just an actor who played drums in a TV show.

It would be cool to catch up with him again.

One of my favourite sections of your book was on the Thin White Duke. As a lifelong fan of David Bowie, your recollection of having once been his driver delighted me! Do you regret not telling him that you were Bob’s drummer? That was surely a big lesson that timing is everything!!

No, I don’t regret not telling David Bowie that I was a drummer. First rule of employment is that you do the job you were asked to do. My brief was that I wasn’t allowed to speak or ask questions unless I was spoken to. This is normal with celebrities and their hired drivers.

When the opportunity arose and I was just driving David on his own to rehearsal, we did have conversations about various things during the three weeks that I was his band’s driver. Anyway, he did find out that I was a drummer for Bob when both bands played at a concert in Paris a few weeks after my driving job finished.

He was a charming man and I’m so glad I was able to be that close to an icon of the music world.

Niall Power Dubai

Niall Power in Dubai. Photo by Mark Cowne.

Your book contains a very matter of fact outline of your career as a session drummer who travelled the world with many bands, but I noticed that you refrained from including saucy road stories about the types of antics that go on between traveling band mates. Surely, you have one or two amusing anecdotes to share in this regard? 

I’m sure you’ve heard of the phrase, “What happens on the road stays on the road.”  

Well you can’t blame a girl for trying!

On the road, you’ve rubbed shoulders with some of the greats in the music world. What was the single most exciting moment that you experienced and who was it with?

It has to be my first ever time to play live onstage, at the Liverpool Irish Centre in 1975.

Niall Power age 17.

1975 London, age 17.

For the previous four years I’d been bashing away at home, wondering if I was ever going to get it together as a drummer. I was a roadie for all of 1974 with a local band called Just Four. They invited me to go to England on tour with them and I managed to befriend their support group called Midnight who were based in Birmingham. I stayed in England after the tour and moved to London to stay with my friend Jim Sullivan and his family. Jim was the guitarist when we tried unsuccessfully to start our band in the Curragh some years previously. I had told Midnight that I was a drummer looking for a job, and if they were ever changing their drummer to get in touch with me in London.
I received a letter in the post a few months later to ask if I would like to return to Birmingham and join Midnight. I couldn’t believe it, I had never played onstage with a band before and that first gig in Liverpool was a blast. I was probably terrible on the night, but you have to start somewhere and that was where it all began. 

If you could have played with any musician in the world that you haven’t played with, who would you choose?

It has to be George Harrison.

I just loved his music and his vibe. Over the years I have played in many cover bands who performed Beatles tunes in their sets, but it would have been magic to get a chance to play “Here Comes the Sun” with George. 

You have travelled all over the world in your career. What is your favourite place to visit and why?

It would have to be India. We played there on three separate occasions and I loved it. The music is enthralling, the food is incredible, the friendly nature of the people and the sheer size of the place is amazing.

Driving anywhere is a task only to be undertaken by a kamikaze.

The sounds, smells, colours and the poverty have to be seen to be believed.
A truly wonderful country to visit.

Since you retired from drumming in 2015, you have been absorbed in genealogical research, both for yourself and others. What have you been doing in this regard since the publication of your book?

Initially, I only undertook the genealogical search for my own family tree. I found this process to be very helpful for my Parkinson’s situation as it gave me something positive to do after my diagnosis.

I needed a task to engage the brain, almost like doing a crossword puzzle and trying to find answers to the clues. There are many discrepancies on old documents, and it is painstaking work trying to decipher the handwriting and make sense of the information. I’m sure it helped me take my mind off the fact that I was losing the fine motor movements on my left side and my drumming skill was disappearing fast.

I have helped some friends with their own family research, but I’m not going to make a career out of it as it’s very time consuming.

Many Irish documents relating to births, marriages and deaths were destroyed by fire in the Irish Civil War, and only the 1901 and 1911 census records are available to view.
I’m still active with regard to my own family tree and I’ve traced many relations, in Canada and the USA. 

Are you and your wife, Michelle, still farming or working as entrepreneurs? 

Unfortunately, I can’t work anymore with my left hand shaking. It’s now 11 years since

Niall Power at home

Niall in 2016.

diagnosis and the motor skills on my left side are gradually disappearing. For example, I cannot put a letter into an envelope or hold a newspaper without my hand trembling.

I’m so used to the shaking that it that doesn’t bother me anymore, and even though it’s a progressive and incurable disease, I just get on with it and make the best of every day usually tending to the garden. Michelle is my career. 

Can you tell us more about your diet and exercise regime and anything else that has enabled you to make the best of your life with Parkinson’s disease?

Most people will tell you that they altered their diet after a Parkinson’s diagnosis, which I did. I did it as a reaction rather than a necessity. It’s a scary time and the need to do anything to solve the problem is great. My first move was to get supplements from the chemist and I also tried a course of acupuncture and meditation. No real benefits from any of these.

I was aged 50 at the time of diagnosis and in reasonably good shape, so I joined my local swimming club and gym. I rarely miss a day and workout on the treadmill and the bicycle, with some light weights. Then it’s into the pool where I power walk in the water and generally have some fun. This activity may not suit some Parkinson’s patients who have issues with their walking, but I find it very rewarding. You have to find something that works for you and stick with it. Never give up. 

How would you like to be able to help others who have been diagnosed with Parkinson’s? 

During the last year I spoke at a few Parkinson’s related events and basically, I just informed the patients about my exercise routine, and how good it can make you feel to do something for yourself that gives you enjoyment and has many other health benefits. 

What have you been doing since your book was published in 2017?

Since the publication of my book I’ve been trying to keep busy. I went to Australia last October and cycled around 1,200 kilometers in the glorious sunshine state of Queensland. My symptoms decreased significantly, and I will be informing my neurologist about this at my next checkup.

Timing Is Everything will be featured in the book nook at the World Parkinson Congress in Kyoto this year, and who knows, a cure may be soon be found.

Niall Power in 2018

Niall Power in 2018. Photo by Frank Smith.

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