In Conversation with Wayne Byrne, Author of The Cinema of Tom DiCillo: Include Me Out

Title: The Cinema of Tom DiCillo: Include Me Out
Author:  Wayne Byrne
Publisher: Columbia University Press
Released: September 2017
Pages: 208
ISBN: 9780231185356

The Cinema of Tom DiCillo

As the author of this insightful and entertaining book, he delves in deep and comes up with the goods. Through his conversations with Tom we see the thought processes and strategies on each of his films, his hopes and frustrations, and everything in between. One thing about Tom, he doesn’t hold back. We also hear from many of Tom’s collaborators, and he has worked with some of the best in this business.

In short, this wonderful book details the ultimate triumphant journey of one of independent cinema’s smartest, funniest and fiercest warriors. ~ Steve Buscemi


As a long-time fan of the award-winning, independent, New York filmmaker and recording artist, I was very excited to be among the first readers of Wayne Byrne’s well-written, fascinating, detailed analysis of The Cinema of Tom DiCillo.  Irish author Wayne Byrne’s book is comprised of a series of essays about each of DiCillo’s eight films – Johnny Suede, Living in Oblivion, Box of Moonlight, The Real Blonde, Double Whammy, Delirious, When You’re Strange: A Film About The Doors, and Down in Shadowland – embellished with insider insight from some of the films’ stars.

Wayne, congratulations on your auspicious debut as a writer! I read somewhere that you never intended to be a writer, so how was it that you became one?

Thank you, Christine.  It’s such a great feeling whenever I hear those words.  It reminds me that the book is a real thing.  I’m getting used to the thrill of walking into a book store and seeing it on the shelf.

What I meant by that reference to never intending to be a writer was that I never consciously set out to become one, in the sense that I never said, “I would love to be a  writer when I grow up,” nor ever pursued it academically.  It just wasn’t on my radar when wondering what to do with myself.  I always thought writers were Ivy League academic types, an exclusive club that I would never be privy to, and my not being academically inclined meant it was just never a consideration.

I wrote this book out of necessity.  I wanted to own a book on Tom DiCillo and for that to happen I had to write it myself.  That is the essence of the “accidental writer” quote you are referring to.

Even though writing is now my life, there’s an element of accident, or perhaps fate, to my professional breakthroughs.  At some stage many years ago, I started writing my own movie reviews for nothing other than the fun of cataloging what I was watching.  At the suggestion of my friend I submitted this massive portfolio of amateur scribbling to the editor of a newspaper just for the sake of doing something with them.  I didn’t think anything would come of it, and looking back on those writings now, I’m surprised something did.  The editor replied to set up a meeting with me.  So, I went in and he pretty much hired me then and there as their film critic and columnist.  I couldn’t believe it!  I did that for two years, before the Arts pages were cut from the paper to allow for more advertising inches.  But it was the springboard for my professional writing career.

I’m currently a music journalist, again not something I intentionally set out to do.  I was asked by the editor of a highly-regarded magazine here in Ireland called Hot Press if I would be interested in joining them as a regular contributor.  This was after I had sold to them what I thought was a one-off freelance piece that I wrote about a musician friend of mine.  I’ve been an avid reader of that magazine for twenty years so it’s very exciting to now be part of it.  What an honor to be asked to join them.

I’m familiar with Hot Press as I’ve been to Ireland three times and read it while I was there. It’s an excellent magazine! I think that being a music journalist is possibly one of the coolest jobs in the world. Do you still have fun with it or is it simply work?

Oh I absolutely have fun. Of course there are occasions where you don’t necessarily like a band that you are reviewing, either live or their album, or you’re not familiar with an artist that you have to interview, but you have to be fair and diligent and go do your homework and have some context going in.  Often I end up very surprised that I like an album that I would normally have reservations about.  If I’m unfamiliar with a band who I’m reviewing I will often go and listen to their back catalogue.  But yes, I am fully aware of how cool a job it is.  Getting paid to go to a Morrissey concert or listen to the new Weezer album?  Hell yes!  But it is an important magazine and I treat it as such, with absolute professionalism.

Can you speak to your process as a writer? Where do you like to write? Do you listen to music when you’re writing?

My process has certainly changed over time, having become busier and juggling various writing jobs. When I began writing The Cinema of Tom DiCillo, I wasn’t under any contract, I had no publishing deal, and so I had no deadline.  While there was a certain level of uncertainty there in not knowing if all of this work was ever going to be published or not, it also gave me complete freedom of time and effort.  It allowed me to write the book I truly wanted to write.  It meant I could wait for people to become free to interview them.  If a very busy actor said they could talk to me in two months that was fine, I would wait, rather than having to move on without them.  Only when I was ready and happy with my book, and had satisfactorily covered everything I wanted to, did I say, “it’s finished!”  It took me nearly five years, from developing the idea, research, interviews, writing, editing, getting a publishing deal, proofreading the final text, arranging the illustrative materials, coordinating all the Interview Release Forms, and then seeing it published.

It sounds like a long time, but it is time-consuming, especially in wanting it to be of an extremely high quality and a definitive study of Tom’s work, and I was also learning to become a writer as I wrote.  I have no formal training and I’ve never taken a class on writing or literature; I learned as I was doing it.  I don’t know if that would work for everyone, but it worked for me.  And after it was finished, I submitted the manuscript to some publishing houses and there weren’t too many people I sent it to before I got the reply that I wanted.  I knew I wanted to sign with Columbia because they own Wallflower Press, an imprint that has released some of the absolute best books on films and directors.  It was the company I had always wished would release a book on Tom DiCillo. And now they have, but I wrote it, which is still surreal to me.

I tend to write exclusively, at home. If I don’t have my easy chair by the fireplace, then I don’t write. I don’t listen to music while working on the books, but when I’m writing about a specific film I will have it playing in the background, so I can jump in at any time to analyze a particular scene for any number of reasons: thematically, aesthetically, technically.

But when writing for the magazine I do listen to music, because I have to if I’m discussing a particular album or song, and so I will inevitably end up hearing something, some small musical flourish or nuance in a song that I didn’t hear upon first listen but I can now work it into the article or review.

One thing that you and I have in common is that we have both met Tom DiCillo and have had the pleasure of getting to know him. How did you initially meet Tom and how long did you know him before you decided to write a book about his films?

My first contact with Tom was just as a fan, contributing conversation to his blog posts. Soon enough I had cause to contact him in a professional capacity to request an interview for the release of When You’re Strange, as I was writing about it in my coverage of various film festivals.  The idea for the book came about a year into being acquainted with Tom personally, having written him several times and covered his work for various publications.  It was during this period that I mentioned to Tom that I had wanted to buy a book on his work for many years but all I could find were some career overviews in film encyclopedias and reference books; no books wholly devoted to him.  So, at some stage I put forward the idea that I wanted to write the first book on his career.

As Tom is my favorite director, I knew I was in this rare position of being able to talk to him and pick his brain.  Before I began the actual work I experienced some moments of insecurity, not knowing a single thing about how to write a book, and I started questioning how you go about doing that – do you have to go to college to be a writer? How do you become a published author?  I really didn’t know how the whole system of professional writing worked.  But when Tom gave me his blessing and support it encouraged me to just go for it, to write it and worry about becoming published later.

How difficult was it to gain access to the actors that you interviewed for the book?

Not difficult at all, thankfully, for 99% of them.  In almost all cases Tom introduced me personally to the actor and we talked and arranged everything between us.  Brad Pitt was a different story.  There was a team of “people” I had to maneuver through. I would get some positive responses such as “Brad is considering it but is very busy at the moment and will get back to you.”  This went on for a period of time and at this stage I was close to finishing the book.  I felt it was just about ready, so spending more time waiting on responses from people was starting to drag the whole endeavor out.  I asked once more, stating that I needed to know if Brad was in or out because I had to finish the book and they came back and said Brad had, after carefully considering it, decided he could not contribute at that time.  While it wasn’t the answer I would have liked, especially after the kernels of hope I had received, I appreciated that it was at least a firm answer.

Who would you say provided you with the most detailed insight into Tom’s process as a filmmaker, aside from Tom?

It’s hard to name any one person.  Everyone brought their own great insights into Tom, but Catherine Keener, Steve Buscemi, and Chris Noth gave me perhaps the most detailed account of what Tom is like as a person and as a filmmaker, because they have either worked with him a lot or have known him for a long time.  In the case of Chris Noth, he and Tom’s friendship goes back to their acting class and cater-waiting days in the early-eighties.  Chris gave me so much insight.  We spoke at length about their very long friendship, reminiscing about the old days of trying to make it in movies in New York in the 1980s, and their time working together on Law & Order.  Likewise, Steve Buscemi has known Tom since around that time as well and so there’s a great history there between them.

What was the most surprising thing that you learned about him?

It was fascinating to discover the intimate details of his life before the films and the fame: his background, his family life, his influences, his world view, and the relationships created early on with other artists.  It was those more personal moments that were revelatory, and very interesting and rewarding to me as a writer.  No detail was too minor or superfluous.  It all added up to help me create what I hope is a definitive work of this great artist.

I believe your book is the definitive work about Tom DiCillo.

I really appreciate that, Christine. I’m happy to have written something that would be considered Wayne Byrnedefinitive, but I also always look forward to any other film commentators or scholars writing about Tom, I would always be interested to hear of other people’s opinions on the films, maybe spotting something I didn’t see or analyzing something from a different perspective.  The great thing about any arts criticism is that it’s completely subjective.  Every person brings their own personal history and sensibilities to their experience of a work that makes it exclusively their own. What I see in Tom’s work could be completely different to what another writer sees, and I would always be interested to hear what other people see in his work.

I find it difficult to pick a favorite of Tom’s films, can you?

It depends on what day of the week it is.  I find it hard to pick one favorite, but I do know the ones I connect most immediately with for different reasons.  Johnny Suede will always be the most important film for me, so it is probably my personal favorite, as it was the film that opened my eyes to cinema.  It’s because of that film that we’re having this interview.  While Living In Oblivion is perhaps the definitive DiCillo film, being so perfect in every way, and being released at the time it was, it’s such a crucial piece of American Independent Cinema.  But, objectively speaking, I do think that Delirious is a frontrunner as his best work.

That said, I have programmed Tom’s films at many events (festivals, clubs, etc.) and the film that most people tell me is their favorite is Box of Moonlight.  Something about that film really clicks with audiences.  What Al Fountain (John Turturro) experiences in that film is probably something many people experience in their lives at some point, and Tom pulls it off with such cinematic skill, a deft surrealist aesthetic, and with great humor and pathos, those elements which are so distinctly DiCillo.

I agree with you about Delirious.

It’s a masterpiece. It has such a vital energy, such a range of emotion, and a stunning command of style. Tom was really firing on all cylinders on that one; the performances speak for themselves, and it has some of the best scenes of Tom’s entire catalogue.  For me it is easily the best American film of the last decade. Certainly it’s my favorite film to come out since Stanley Kubrick’s Eyes Wide Shut.

For me, one of the things I enjoyed the most about your book was that you elaborated on the themes that run throughout Tom’s films. Can you reiterate those themes for my readers?

Yes, of course.  It is one of the main objectives of the book, to acknowledge and analyze the crucial and relevant themes that run throughout Tom’s films.  I have always been very unsatisfied with critical commentary of Tom’s work, because very few, if any, acknowledge the themes at the heart of the films.  Rather, they look to the immediate context of satire, trying to pick up on sly digs here and there at these venerated institutions, painting Tom as purely an iconoclast.  And that’s fine, but there is so much more to Tom’s films than that.  I think a lot of critics overlook the pathos of Tom’s work.

Look at the thread of familial discord that runs through from Johnny Suede right up to Down in Shadowland.  Even When You’re Strange, a film about The Doors, shares many of the same themes as other DiCillo films, such as the illusion of fame, the fragility of ego, identity crises, the severed connection of family and the toll that takes on someone.  It’s amazing that all of these ideas remain present in a documentary ostensibly about one of the biggest rock bands of the last fifty years. Because of Tom’s ability to weave these deeply personal themes throughout, the film becomes less an objective biography of a band, but, for those familiar with DiCillo and his work, a very intimate portrait of two artists: Jim Morrison and Tom DiCillo.

You’re so right!  That’s something I’ve never been able to put into words, but you’ve nailed it. When You’re Strange is how I first connected with Tom so it will always have a special place in my heart as a result, but I also happen to be a big Doors fan.

I was very familiar with The Doors but never a “fan”.  But, testament to the power of Tom’s film, I am now a fan.  I now deeply admire their mysterious style of music and their prodigious musicianship.  I love the whole social and political historical context that was going on around them, which makes them a fascinating band to write about. The chapter on When You’re Strange is one of my favorite chapters in the book.  I interviewed drummer John Densmore and guitarist Robby Krieger for it, which is a pretty cool thing, to have those guys in there.

I love that you mention how wonderfully eclectic the soundtrack to Box of Moonlight (Wall of Voodoo, Peter Murphy, Nick Cave) is as it was a highlight for me.  One of the things that so attracted me to Tom’s personal music project, The Black and Blue Orkestre, was how his musical influences resonated throughout their first album. Tom’s taste in music really endeared me to him. Do you feel the same way?

Tom’s involvement in music is very important to me and to our friendship.  We have spent a lot of time working on music together.  I played guitar and piano on the Black and Blue Orkestre track In Your Dreams.  I’m very proud of it.  It was very exciting working with Tom on vocals and the actor Kevin Corrigan on bass – my job was made easier working with such skilled performers.  I love Tom’s voice and the sonic universe that he creates.  It just makes you want to grab the guitar and start recording, it’s so inspiring.

Tom’s use of music in his films is also wonderful, it is so crucial to the tone and atmosphere that he creates.  And the fact that he uses some of my favorite bands – such as those you just mentioned – just sweetens the deal.

I had no idea that you played guitar and piano on In Your Dreams!  That’s fantastic! I can’t wait for Tom to release the new songs that he’s recording with The Black and Blue Orkestre. Have you collaborated with him on any of them?

Thank you, I appreciate that. Yes, that song is pretty amazing.  I love how Tom mixed that song, it sounds terrific.  I have worked on a number of tunes, but I’m not sure what songs will end up on the next release, as this is Tom’s project and I just came in and did some guitar.  I like that session player aspect of working with the bones of a track, fleshing out the sound and my work is done.  Tom then does his production and engineering work on it and I just look forward to hearing the finished version just like any other fan.

Who are some of your favorite recording artists?

Music is a big part of me.  I love everything from 1930s dance bands, to 60s surf music, to 80s pop, to hardcore punk.  I’m inspired by every kind of music.  If you are over at my house for dinner or a beer, you could hear anything from The Circle Jerks to Slim Whitman to John Denver to Madonna.  I’ve started collecting vinyl, so I’m going back to albums I really love and relishing the great sound of records, so I’ve recently been listening to the first two albums from Bruce Hornsby and The Range (The Way It Is and Scenes from the Southside), Heartbeat City by The Cars, Lives in the Balance by Jackson Browne, Diesel and Dust by Midnight Oil, Court and Spark by Joni Mitchell.

I know I probably sound like some nostalgic dinosaur pining for my lost youth, when there is a whole world of new music out there, but I hear enough of the new stuff in my job writing for Hot Press (legendary Irish music magazine), so when I’m home and relaxing I tend to listen to the albums that continue to thrill and comfort.  I’m tragically unhip when it comes to music – I just like what I like.

My favorite albums would include:

Tango in the Night by Fleetwood Mac
Midnight to Midnight by The Psychedelic Furs
Déjà vu by Crosby, Stills, Nash and Young
Book of Love by Book of Love
Heaven on Earth by Belinda Carlisle
Candy Apple Grey by Husker Du
Heaven or Las Vegas by The Cocteau Twins
In My Tribe by 10,000 Maniacs
Famous Monsters by The Misfits
Straight to Goodbye by Pale Divine

Wow, that’s an eclectic collection of favorite albums, but I love it!  If it’s any consolation, I’m probably just as tragically unhip when it comes to music because I still love listening to 70s and 80s music the most but maybe that’s the same for everyone who came of age in a certain time period.  The music of our youth remains special to us forever.  Are you familiar with The Tragically Hip who are from my hometown of Kingston, Ontario? I couldn’t resist slipping that in here…

Yes absolutely, I am a great admirer of The Tragically Hip.  Road Apples is a great album, and I absolutely love Small Town Bringdown EP – which has, for me, some of their best songs – Small Town Bringdown, Last American Exit, I’m a Werewolf Baby…just sublime! The production is fantastic, very much of that late-80s era. Just sublime!  You must have been able to see them live during those times, which would have been great.

What has writing this book taught you about filmmaking and The Arts in general?

That I know almost nothing about filmmaking.  I am truly in awe of filmmakers. They’re part of my intense interest in the subject of cinema.  Yes, I detailed a lot of the production methods and behind the scenes activity of Tom’s films, but filmmaking is still a mystery to me, and I hope it always is a mystery.  I want whatever magic is conjured in creating the art to remain elusive.  I want to retain some of that awe that was instilled in me upon seeing Masters of the Universe in the movie theatre when I was four.

I do sometimes ask the question of myself, “Who am I to write about or teach film?”  I have never been on a film set.  I have never acted or directed.  All I can offer are my opinions and thoughts on the films, back it up with some words from those who were there and have actually made the films, and then try and edit it into some kind of legible or readable context.  That, really, is my job.  I’m just spreading the word about movies and artists I love.  I consider myself less a writer and more a proactive fan.

Of the Arts in general, writing this book has made me appreciate the dedication of every other writer who takes the time to write about a subject that fascinates them, no matter what discipline they work in, because their passion fuels the passion of others.  I hope my book fills the gap on the shelf that Tom DiCillo fans have been waiting to fill, and I hope it inspires others in the way that other film commentators have inspired me.

Who or what will your next book be about?

This has taken a lot of people by surprise, because it’s a completely different cinematic universe to that which I cover in The Cinema of Tom DiCillo, but my next book will be on Burt Reynolds.

Some people think that because you love art films and write about independent cinema that you wouldn’t have any time for the kind of stuff that Burt Reynolds is known for, but I always ask, “well, what do you know of Burt?” and the answer is inevitably Deliverance, Smokey and the Bandit, and The Cannonball Run.  They aren’t aware of or haven’t seen the eighty other films he has made, some of which are simply fantastic works of cinema. Reynolds has worked with some of the greatest directors, and to name just a few of the brilliant films he has starred in with these filmmakers: Hustle (by Robert Aldrich), Starting Over (by Alan J. Pakula), Breaking In (by Bill Forsyth), At Long Last Love (Peter Bogdanovich), Navajo Joe (by Sergio Corbucci), Semi-Tough (by Michael Ritchie), White Lightning (by Joseph Sargeant).

My writing process on this one is completely different to that of The Cinema of Tom DiCillo.  On that book I spent five years writing about eight films.  On the Burt Reynolds book, I have one year to write about eighty films and several entire TV shows, the major ones that Burt starred in, which means Riverboat, Gunsmoke, Hawk, Dan August, B.L. Stryker, and Evening Shade.  And I couldn’t be happier, but it means I am extremely busy. There’s a lot of people to interview, a lot of films to analyze and write about, and I still have my bill-paying day and night jobs (librarian and journalist) to keep me busy.  So when I’m not in work I’m still at work.

Will it be published by Columbia University Press?

No, this book isn’t the kind of thing that Columbia would go for.  Columbia is really focused on publishing works on contemporary, influential directors who are presently relevant throughout the entire spectrum of World Cinema, and whose work has immediate academic currency, all of which applies to Tom DiCillo.  Burt Reynolds, however, doesn’t necessarily fall into those categories because he hasn’t directed a film in nearly two decades, is mainly celebrated for his acting work rather than his directing, and some people might not see the “academic” value of my writing about Cop and a Half or Smokey and the Bandit II.

My Burt Reynolds book needed a publisher who understands and shares my perspective on Burt Reynolds; that he is one of the truly great American film stars and an enduring icon of US cinema. There is something absolutely compelling about him every moment he is on the screen, and he’s one of the few actors left who you can genuinely call a living legend.  As a book of film history and film criticism it will benefit from Reynolds’ prolific and expansive work which spans many important movements through American film history, going from the Golden Age studio system of the late 50s, through the New Hollywood of the 60s and 70s, to the blockbuster world of the 80s, and indie cinema of the 90s and up to today. For this book I’ve already been talking to some great directors, cinematographers, and actors – some truly fascinating people.

I signed with a distinguished publisher who have an amazing catalogue of film books to their name and who immediately understood what I wanted to do and shared my enthusiasm for the man.  They also saw the gap in the market for a book on Burt Reynolds’ actual films because while there have been books on him in the past, they were more concerned with his personal life.  I have no interest in his personal life, but I absolutely love his films.  He’s probably my favorite movie star, alongside John Wayne, Clint Eastwood, Doris Day, Steve Buscemi, and Dennis Hopper.

I’ve definitely enjoyed some of Burt Reynolds’ work that I’ve seen but I’m sure that after I read your new book, I’ll want to revisit his work.  I’ll look forward to that!

Thanks Christine! Yeah, I hope it encourages people to check out his work which has gone under the radar or is simply forgotten.  It’s also a celebration of and tribute to this great figure of cinema and his vast body of work, as well as an opportunity to appreciate the art of the films.  Burt has recurrently worked with some of the finest cinematographers, such as William A. Fraker, Nick McLean Sr., Vilmos Zsigmond, to name just a few.  You don’t read much technical and aesthetic analysis of many of Burt’s films, and so that’s partly what I’m doing.

I think I could talk to you for days, Wayne, but I should probably end our conversation here. Thank you very much for taking the time to talk to me and for sharing your passions with my readers.

It was my pleasure, Christine.  I hope people enjoy the book and go out and watch Tom DiCillo films. That’s really what it’s all about.

ISRAELI-PALESTINIAN CONFLICT BROUGHT TO LIFE FOR MIDDLE GRADERS: Striking Terror by Denis Lipman

FOR IMMEDIATE RELEASE

ISRAELI-PALESTINIAN CONFLICT BROUGHT TO LIFE FOR MIDDLE GRADERS
Striking Terror by Denis Lipman to be released Oct. 2016

Striking Terror by Denis Lipman

Piscataqua Press has announced the upcoming release of Striking Terror, a thriller by Denis Lipman that will, for the first time, bring the Israeli-Palestinian conflict to life for middle grade readers in an accessible, entertaining way. “We’re very excited about Striking Terror,” says Piscataqua Press publisher Tom Holbrook. “We haven’t seen anything like this for middle graders and teens—a fun, real-life thriller using a real-world conflict as a backdrop.”

Author Denis Lipman says this is what drove him to write Striking Terror. “When I was a kid, I loved reading about spies, detectives and mercenaries. When I looked for a contemporary thriller to share with my daughter, I couldn’t find any. So I wrote one that hooks into one of today’s important issues—it just took longer than I’d expected, as I wanted to research everything thoroughly.” Creating a hero who uses his magic skills to get out of trouble was an added bonus, the former magician says with a smile. “Think Harry Houdini, not Harry Potter,” he hastens to add. “I’ve been thinking for years about a boy who will use tricks to get out of scrapes.”

Striking Terror is the fictional story of Micah, a Jewish teen sent by his parents to stay with relatives in Israel. While settling down to a new life in Jerusalem, the amateur magician befriends a troupe of performers—and a Palestinian girl, Shireen, who is training to blow up the bus he rides to school. When Shireen chooses to abort the attack, her handlers turn on her and the two teens must run for their lives. Using every trick he knows to stay alive, Micah helps Shireen escape the alleyways of old Jerusalem into the Negev Desert. Here in a remote farmhouse, Micah and his friends have only illusion, luck and courage to fight a well-armed and murderous enemy. Then, beyond the desert, Micah and Shireen are pulled into a plot that will rip the peace process apart.

Before emigrating to the U.S. from his native England, author Denis Lipman was a professional magician for several years. His first book, A Yank Back to England (GemmaMedia 2010), is a travel memoir now in its third printing. Before moving to New England, Lipman and his wife Frances
Erlebacher ran a small advertising company in the Washington, DC area for more than 20 years, where he was also active in theater.

Piscataqua Press is a small, independent publisher that focuses on New England authors.

# # #

PRESS CONTACT: Tom Holbrook
Piscataqua Press
info@piscataquapress.com
(603) 431-2100

AUTHOR INFO: Denis Lipman
dklipman@verizon.net
(603) 319-8852
denislipman.com

BLUE AND RED MAKE PURPLE: A Musical Journey with Grammy-winning Children’s Artist, Jennifer Gasoi

NEW RELEASE

BLUE AND RED MAKE PURPLE

A Musical Journey with Jennifer Gasoi
Illustrated by Steve Adams

Available on October 1, 2016 from The Secret Mountain

Blue and Red Make Purple

This new book with CD offers young listeners a musical journey through the different colors of Jennifer Gasoi’s multi-layered and playful music. The colorful picture book, featuring original illustrations by Steve Adams, highlight the history, instruments and unique characteristics of each musical genre along with listening suggestions accompanying each song. Along the way, Gasoi offers readers a chance to create their own sounds, and discover more about the songwriting process itself.  Full lyrics are also included in this delightful music-forward title.

The accompanying CD features 12 original songs that meld styles ranging from bluegrass to Dixieland swing, folk to calypso to Cajun and klezmer.

Featured is Gasoi’s GRAMMY Award winning hit “Throw a Penny in the Wishing Well,” and traveling tunes like “Little Blue Car” and “Goin’ on a Trip,” all of them with a positive message underscored in “Bright Side of Life.” Gasoi hopes that readers will be inspired to “express themselves, tap into their own mastery, and embrace their unique gifts.”

Jennifer Gasoi is a GRAMMY and Parents’ Choice Gold Award winner. She is one of Canada’s most acclaimed children’s performers and recording artists, offering upbeat, intelligent jazz and world beat influenced original music with all-ages appeal. In addition to her frequent sold-out performances throughout Canada, the Vancouver-born singer-songwriter has garnered fans at her concerts in the United States, Brazil, Israel, Singapore, India, the U.K. and Japan. Steve Adams has collaborated with many publications over the years, such as The Wall Street Journal, Harvard Business Review and The Globe & Mail. He has also illustrated several books for children, including the award-winning picture book “The Boy Who Grew Flowers” (Barefoot Books). Both live in Montreal.

The Secret Mountain, celebrating 15 years of publishing music-forward children’s storybooks, has released popular titles focusing on classical music, including Amazing Water, Listen to the Birds, Simply Fantastic (all three by Ana Gerhard) and Sleep Softly. The extensive catalogue of award-winning storybook-music CD titles for children includes It’s Raining Cats and Dogs, Songs from the Baobob (African Lullabies), Dreams Are Made for Children (Classic Jazz Lullabies), A Duck in New York City by singer-songwriter Connie Kaldor and Tomorrow is a Chance To Start Over (Hilary Grist). The publishing house also has an impressive enhanced ebook list.

BLUE AND RED MAKE PURPLE by Jennifer Gasoi; illustrations by Steve Adams / Children’s Picture Book with Music CD (12 tracks, 34 minutes) / Hardcover, 44 pages, 8″ x 8 / Ages 5 to 8 / ISBN: 978-2-924217-79-5 / $22.95 CDN / Distributed by Independent Publishers Group represented in Canada by The Manda Group

Review Copies and Media Enquiries

Ruth JosephThe Secret Mountain logo
Tel: 514.804.4379
ruth@thesecretmountain.com
http://www.thesecretmountain.com

 

Sneak Preview: Tomorrow is a Chance To Start Over Bedtime Story and Dream Songs by Hilary Grist

Tomorrow is a Chance to Start Over by Hilary GristEscape from the city on a musical dreamboat

AVAILABLE ON JUNE 2, 2015

Adding to their growing catalog of Parents’ Choice Award-winning storybooks with CDs for children, The Secret Mountain will release Tomorrow Is a Chance To Start Over on June 2.

Hilary Grist wrote the story, created the clay characters and performs her original songs, to offer a soothing, restful experience for the whole family to enjoy together. Her smooth rhythmic text and stunning artwork cast in a soft light between sleep and waking, make for a perfect summertime treat, wafting listeners into a reposeful musical world reminiscent of Norah Jones and Feist.                         

The story is about Ira and Isabelle, two siblings living in a little red house by the sea, who decide one night to escape the sound of the city’s beeping cars and sail off to a faraway land. On their journey, they learn from a newly-made friend, a robin with a soft voice, that dreams really can come true. In addition to the narrated story, the CD offers nine heartwarming dream songs followed by an ethereal rendition of Johanne Brahms‘ classic “Cradle Song.”

The best part is that on Saturday, June 6th at 2:00 pm, Vancouver’s Book Warehouse (4118 Main Street) will host the launch of this new release, just in time for summer! In the area? Then here’s the chance to bring the kids out for a musical afternoon of live storytelling and songs. Hilary will be performing some featured selections from this new release.

CD Track Listing
1. Tomorrow is a Chance to Start Over (Narration)
2. Tomorrow is a Chance to Start Over
3. Fall in my Loving Arms
4. Swallow Me Up
5. Float Away
6. Le petit oiseau
7. Say Goodnight
8. City of Green and Blue
9. I’ll Be There
10. Still
11. Cradle Song

Hilary Grist is a singer-songwriter from Vancouver, notable for her song placements that have been part of nine major television shows. Not only is she a talented musician, but also a gifted visual artist who (with her creative team including her producer and husband, Mike Southworth) created the 3D clay characters shown on the book’s cover. As well, Grist has built an international following from tours across Japan, South Korea and North America. She is a graduate of the Capilano University Jazz Studies program in North Hilary GristVancouver. Her influences are as diverse as Ella Fitzgerald, and Tom Waits, along with Debussy. Accordingly, her songwriting and performance style incorporates elements of jazz, folk, pop, and classical. Grist has performed in many Canadian festivals including the Vancouver International Jazz Festival and North by Northeast. Grist recently released her fifth studio album entitled Come and Go.

The Secret Mountain is a Montreal-based publisher of beautifully produced children’s books and music from around the world, in French and English. Several of their titles, including Songs from the Baobab, A Duck in New York City, and Listen to the Birds, have won international acclaim and Parents’ Choice Gold Awards.

PRESS CONTACT
Ruth Joseph
Tel: 514.804.4379
ruth@thesecretmountain.com 

www.thesecretmountain.com

Coming Soon From The Secret Mountain: Sleep Softly: Classical Lullabies by Brahms, Schubert, Satie, Debussy…

NEW! FROM THE SECRET MOUNTAIN – AVAILABLE ON MAY 1, 2015

Sleep Softly:  Classical Lullabies by Brahms, Schubert, Satie, DebussyThe latest picture book and classical music CD in the award-winning and internationally acclaimed series, created for babies, but for the whole family to enjoy!

Sleep Softly:  Classical Lullabies by Brahms, Schubert, Satie, Debussy…

Performed by Ensemble Agora; Illustrations by Élodie Nouhen

Soothing and entrancing melodies from beloved composers are collected in this newest addition to The Secret Mountain’s acclaimed book-and-CD series. The hardbound book features whimsical, dream-like illustrations by Élodie Nouhen and brief explanatory notes describing how the song was composed and how it was arranged for this recording. The accompanying CD, recorded in France with the acclaimed wind and harp quintet Ensemble Agora, features 16 soft and sweet masterpieces that will send everyone in the family—including the crying infant—off to dreamland.

The gently rocking rhythm of Offenbach’s “Barcarolle” launches listeners into the magical world of Venetian gondoliers, and other familiar pieces, including Schumann’s “Of Foreign Lands” and Satie’s “Gymnopédie,” convey a sense of timeless voyage through cadence and instrumentation.  Fauré’s famous melody, “Après un rêve” demonstrates the power of melody and harmony to create an otherworldly experience.  The most famous track of all was composed in 1868 by Johannes Brahms: “Wiegenlied,” better known in the English speaking world simply as the lullaby song. The final piece, “Brezairola,” is a traditional song which French musician Joseph Canteloube arranged in the 1920s; this recording strips the melody to its essence, adding the drone of a bassoon in the background. The result is a relaxing 34 minutes of sound and visuals for all ages to enjoy together.

In 2014, The Secret Mountain, publisher of beautifully produced children’s books and music from around the world, released the Parents’ Choice Gold Award winning storybook-music CD Simply Fantastic: An Introduction to Classical Music. The first title from that collection, Listen to the Birds, also won international awards and acclaim the previous year.

SLEEP SOFTLY – CLASSICAL LULLABIES BY BRAHMS, SCHUBERT, SATIE, DEBUSSY… / PERFORMED BY ENSEMBLE AGORA / ILLUSTRATIONS BY ÉLODIE NOUHEN / CHILDREN’S PICTURE BOOK WITH MUSIC CD (DURATION: 34 MINUTES) / HARDCOVER, 36 PAGES, 8” X 8″ / AGES : BIRTH – 3 / ISBN: 978-2-924217-24-5 /$ 22.95 CDN /  DISTRIBUTED BY INDEPENDENT PUBLISHERS GROUP REPRESENTED IN CANADA BY THE MANDA GROUP

Sleep Softly:  Classical Lullabies by Brahms, Schubert, Satie, Debussy…

Introducing Ron Chatterjee and The Colony of Roses – A Novel of Murder and Politics Set in 1960’s India

The Colony of Roses by Ron ChatterjeeMEDIAARIA CDM is proud to announce the signing of writer Ron Chatterjee for the publication of his debut novel – THE COLONY OF ROSES.

Possessing all the ingredients to be a literary master work of its genre, THE COLONY OF ROSES is a story of murder and politics set against the backdrop of a changing 1960s India, where societal issues of abortion and divorce rages between political factions of the ultra-left and ultra-right. Told in the best tradition of Raymond Chandler and James Ellroy, over the course of seventy-two hours, THE COLONY OF ROSES follows the investigation of an Indian homicide detective’s dogged pursuit of the truth and his journey deeper and deeper into the shady and macabre world of lovable rogues, fall guys, femme fatales, corrupt cops, idealists and all the myriad quirky characters that inhabits THE COLONY OF ROSES.

Ron Chatterjee was born in a small town in West Bengal, India, where his life experiences would inspire his high-octane political thriller. Ron immigrated to the United States twenty years ago and has since settled into small town American life. Ron currently lives in New Jersey with his wife and daughter working on his second novel.

Prepare to enter an intricate world of dysfunctional characters, greed and head-spinning adventure that will leave you guessing until the explosive end in Ron Chatterjee’s debut novel – THE COLONY OF ROSES.

To keep updated with news concerning Ron Chatterjee’s THE COLONY OF ROSES, click here. The novel is due for release in 2015.

Father of 12 Inspires and Encourages Youth Through Epic Fantasy Now Shares Secrets Of His Success

Father of 12 Inspires and Encourages Youth Through Epic Fantasy Now Shares Secrets Of His Success

MADE FROM SCRATCH becomes a book with buzz.

 MADE FROM SCRATCH: The Ultimate Guide To Self-Publishing by Jaime D. Buckley

FOR IMMEDIATE RELEASE

October 30, 2014 – Santaquin, UT — Jaime Buckley, Author of Chronicles of a Hero is known as a champion of the underdog. Believing each person has inherent value, he helps the world laugh at themselves, use each experience as an advantage, then encourages others to get up and try again. This same focus has turned him from youth and their parents towards bloggers and writers of all skill levels. Jaime’s alter ego Wendell P. Dipmier, the main character of his fantasy series, takes a back seat this time as the author expands his reach to the business minded.

MADE FROM SCRATCH: The Ultimate Guide To Self-Publishing became an obsession to help Indie Authors do the seemingly impossible—publish a professional product on a shoestring budget. No stranger to extreme hardships, Jaime shares his decade of experience and working against the odds, including homelessness, lack of funding and dealing with a cynical market to point out advantages many authors miss. His 21 books and prolific writing habits make him a unique role model for new authors seeking a non-traditional path. The book takes readers from idea to promotion and beyond.

“This idea started when I made some new friends at Be A Better Blogger,” remarked the author in a recent interview. “I met powerful, unique personalities—but few of them had ever published their work. With so much to offer others, I saw the opportunity to give that brilliant community a huge boost in the right direction. Sharing some personal experiences and pointing out a path most people could follow has become a specialty of mine. MADE FROM SCRATCH was written for bloggers, but it applies to writers in general.”

For digital review copies of MADE FROM SCRATCH or media interviews, contact the author through WantedHero.com or email him directly: jaimebuckley@wantedhero.com

ABOUT THE AUTHOR

JAIME BUCKLEY is a veteran Indie Author who started his career as a comicAuthor Jaime Buckley book creator. Husband, father of 12 and grandfather, he inspires youth and parents alike through his daily blog while designing games and reaching out to readers around the globe. Since 2005 he has donated both his comics and novels to underprivileged children and continues to engage in charitable events involving youth and youth-focused organizations. Photos of Jaime Buckley and the book’s cover available.

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Jaime Buckley
jaimebuckley@wantedhero.com
(608) 620-4376
http://wantedhero.com

 

PERCOLATE: Let Your Best Self Filter Through by Elizabeth Hamilton-Guarino

Percolate

PERCOLATE

Let Your Best Self Filter Through

By Elizabeth Hamilton-Guarino

CEO – The Best Ever You Network, Hay House author

Is there a voice inside of you that’s urging you to make changes and seek a richer, more fulfilling life? Do you feel like you’ve been searching for something more meaningful, even if you don’t know exactly what it is?

Have no fear—Percolate will show you how to let your best self filter through and thrive! In this empowering, heartwarming—and often humorous—book, Elizabeth Hamilton-Guarino will help you wake up to what’s possible, allow your heart and mind to simmer with fresh ideas to achieve your goals and enhance your well-being, and enable your spirit and passion to rise to the top like the foam on your latte.

Elizabeth will guide you through the Percolate Process, a nine-point plan she developed with Dr. Katie Eastman that teaches you how to implement positive changes to excel in every aspect of your life. It’s simple, practical, and fun! Go ahead . . . grab a cup of your favorite joe, put your feet up, and start percolating. Ah, can’t you just taste the inspiring brew as your most powerful thoughts blend together to bring the authentic, best you to the world?

The PERCOLATE Process, a nine-point plan that teaches you how to implement powerful, positive change to thrive in every aspect of your life. It’s simple, practical, and fun!

The PERCOLATE ProcessTM is a 9 point plan she developed with Dr. Katie Eastman that teaches you how to implement positive changes to excel in every aspect of your life. It’s simple, practical, and fun! Co-developed by Elizabeth Hamilton-Guarino and Dr. Katie Eastman, this valuable tool combines inspiring, practical exercises and Elizabeth’s heart-warming story and ideas with empowering psychological principles. The PERCOLATE Process is based on Elizabeth’s own method of change and discovery. In 1998, after nearly losing her life to an allergic reaction, she chose an “I will survive and thrive” attitude. Elizabeth was motivated as a mother and wife to move forward, which required a first step of accepting this new “Elizabeth”, being bold enough to allow her confidence to surface and constantly reminding herself, “I am enough.” 

Elizabeth Hamilton-GuarinoABOUT THE AUTHOR

Elizabeth Hamilton-Guarino, Hay House author and Best Ever You Network CEO, lives her daily life with allergies to peanuts, tree nuts, fish, and shellfish. In 1998, Elizabeth nearly lost her life due to an allergic reaction to almonds. In 1999, she had a second near-fatal allergic reaction while pregnant and was hospitalized for more than a week.

Elizabeth understands firsthand the challenges life can bring and has worked with thousands across the globe to illuminate their light within and help them live their best life. In 2008, Elizabeth left a 17 year career in the financial services industry to start The Best Ever You Network, which is now a leading multimedia provider of lifestyle and self-help content. Elizabeth hosts “The Best Ever You Show” on Blogtalkradio, which has over one million global listeners.

With Brian Hom, she co-founded the Food Allergy Zone to find a cure and the cause of food allergies and she is a spokesperson for FAACT – Food Allergy & Anaphylaxis Connection Team.

Now she adds “author” to her resume. In PERCOLATE: Let Your Best Self Filter Through (April 2014), Elizabeth empowers readers to implement powerful, positive change to thrive in every aspect of your life. Elizabeth has a degree in communications and broadcasting and also works as a business and life coach. Elizabeth is a social media expert with an emphasis on business consulting, transitional growth and change, and platform development. She lives with her husband and four boys in Maine. Visit BestEverYou.com for more information about Elizabeth’s work and passions.

PERCOLATE – Let Your Best Self Filter Through

 By Elizabeth Hamilton-Guarino

  • Paperback: 328 pages
  • Publisher: Hay House, Inc. (April 14, 2014)
  • Language: English
  • ISBN-10: 1401942989
  • ISBN-13: 978-1401942984

For interviews, artwork, excerpts or more information, contact:

Erin Dupree| Publicist | Hay House, Inc.
646.484.4957 
EDupree@HayHouse.com

PRAISE FOR PERCOLATE

“How can an aardvark and a platypus help you change your life? How can #WWBWD help you make better decisions? And what does brewing coffee have to do with being healthier and happier? For the answers to these and other life-altering questions, look no further than Percolate, Elizabeth Hamilton-Guarino’s masterwork. I highly recommend this book if you want to live more fully, laugh more heartily, and leave a lasting legacy for your loved ones!”

— Noah St. John, best-selling author of The Book of AFFORMATIONS®, http://www.NoahStJohn.com

“For years I have enjoyed bringing clarity and joy into my life by taking time each morning to reflect on my blessings over a hot cup of coffee. Now I have a new favorite way to ‘percolate,’ thanks to this wonderful book! After following Elizabeth on The Best Ever Your Network, I am so happy that she has found a new way to share her inspirational message with us all!”

Michelle Phillips, best-selling author of The Beauty Blueprint, http://www.MichellePhillips.com

“Elizabeth shows us how to follow our hearts and have the courage to really be ourselves—that we’ve been percolating all along.”

— Gary Kobat, international authority on integrative well-being

“I love the Java Jive, and it loves me . . . and I really love Percolate, a bold and flavorful blend of higher wisdom, experience, and common sense. Drink deep of this rich brew, and you’ll enjoy life to the fullest.”

— Stephen Powers, Grammy Award–winning producer and co-founder of Agape Media International

“Percolate is a gift—a marvelous one—filled with intelligence and beauty.”

Michael McGlone, actor

“If you can’t wait to get your hands on another self-help book filled with dogma and strict directions, then Percolate isn’t for you. However, if you’ve been searching for a book that can brilliantly guide you to guide yourself, search no more.”

— Gabe Berman, author of Live Like a Fruit Fly

“Put down this book if you don’t want to do the work.”

— Fred Cuellar, Diamond Cutters International

“It takes only moments to learn that Elizabeth Hamilton-Guarino has a gift for connecting with people. She shares her own personal experiences, and those of others, in a way that challenges each of us to become our best. The stories in Percolate continue to express her inspirational spirit and will simply make you feel good.”

Sarah C. Bazey, Mrs. International 2012 and president and CEO of Simplex

Construction Supplies, Inc.

“Percolate is the perfect title for Elizabeth’s book because anyone who knows her personality will agree that she is like a constant, contagious, and inspirational jolt of caffeine. This is a woman who lives every minute of every day to the fullest. Elizabeth’s cup runneth over, and if we can sip in just a little bit of her wisdom and experience, we should consider ourselves lucky!”

Anthony Turk, Hollywood publicist

“Percolate is compelling from the very first words. I couldn’t put it down, and I was moved to tears within the first few pages. Give yourself the delicious joy of journeying through this inspiring book with Elizabeth Hamilton-Guarino.”

— Margaret Paul, Ph.D., author of Inner Bonding, http://www.innerbonding.com

 

Visit www.PercolateBook.com for more information.

Website Links for Elizabeth Hamilton-Guarino:

www.PercolateBook.com, www.BestEverYou.com, www.FoodAllergyZone.com, www.EGuarino.com

Radio show: www.blogtalkradio.com/BestEverYou

Single In The City by Michele Gorman

Single in the City by Michele Gorman

BOOK PREVIEW

Hey ladies,

Lookin’ for a fun in the sun summer read? Look no further!

Take one twenty six year old American, add to a two thousand year old city, add a big dose of culture clash and stir

To think Hannah ever believed that Americans differed from Brits mainly in pronunciation, sophistication and dentistry. That’s been the understatement of a lifetime. She lands upon England’s gentle shores with no job, no friends and no idea how she’s supposed to build the life she’s dreaming of. Armed with little more than her enthusiasm, she charges headlong into London, baffling the locals in her pursuit of a new life, new love and sense of herself.

REVIEWS

“If you like your novels fun and sassy with a twist of the unexpected, you’ll devour Single in the City. 4 stars.” The Sun 

“I expected the book to be funny based on Michele’s awesome tweets, but I was in no way prepared for the hilarity that ensued – the book literally had me in stitches!” Bookalicious Ramblings

“Single in the City is an easy read that keeps you enthralled…” Female First 

“This is hilarious book, full of romance and laugh-out-loud situations that no woman would want to be in.” Chick Lit Club 

“Gorman has written a great story about making friends and fitting in, and it should be an inspiration to anyone with a hankering to dramatically change their life and/or move here to sunny England. The characters were realistic, the setting familiar and the plot fascinating. Whether you like adult chick lit or YA, Single in the City is definitely a book worth devoting some of your time to.” Wondrous Reads

“If you love chick-lit then you need to read this book. Actually, scratch that… if you enjoy a well written book with a fun and uplifting plot that takes place in England, then you will love Single in the City.” Paperback Dolls

“Single in the City is like Sex and the City told through the eyes of an American Bridget Jones and it was so funny that I laughed out loud throughout this delightful chick lit novel.” Novel Escapes 

“The main character Hannah is the perfect heroine for the book, and I loved seeing London through her eyes. It was a really fun journey and I really did care about her by the end. Recommended!” Chick Lit Reviews

* * * * * 

Single in the City
352 pages
Women’s fiction/Chick Lit
ISBN 9780141048260 (paperback) price £6.99
(ebook) price $3.99/£3.99/€4.49

Michele Gorman is the best-selling author of the Single in the City series and Bella Summer Takes a Chance. She also writes upmarket commercial fiction under the pen name Jamie Scott. Born and raised in the US, Michele has lived in London for 15 years.

Michele Gorman is represented by the Hardman & Swainson Literary Agency (www.hardmanswainson.com). For further information please visit her website: www.michelegorman.co.uk.

Move Over, Vamps and Shapeshifters! Get Ready for Elementals! by Elaine Calloway

Water's Blood by Elaine Calloway

BOOK PREVIEW

Move Over, Vamps and Shapeshifters! Get Ready for Elementals!

By Elaine Calloway

The supernatural has long been a fascination of humankind. Spooky things, creatures that go bump in the night, spells that turn evil people into toads, etc. These tales have been the delicious material of campfires and slumber parties.

Even as a child, my favorite cartoon was Scooby-Doo, which always had some form of ghost story at its center. It seemed only fitting that I would grow up, longing to tell similar anecdotes. And while I do have a few ghost stories in the works, I decided to take the plunge into Indie Publishing with my 4-book Elemental Clan Series. (The jury is still out on whether this decision was blind ambition or temporary insanity, though the experience has been incredible!)

Water’s Blood, available now on Amazon, Barnes & Noble, and Smashwords, is the first book in the series and features Brooke, a Water Elemental stationed in New Orleans. The Crescent City was an ideal setting for a book featuring a Water-related character, since New Orleans is surrounded by water on all sides! I grew up there and enjoyed using my favorite areas as backdrops to the plot. The city has many tourist places, and I liked adding in a few secret spots that don’t make the top of the tourism circuit. To read more about this particular book, including the music soundtrack which I created to help inspire the characters, go to the Water’s Blood page on Elaine’s Web site.

Book Blurb:

After breaking the rules to mate with a human, Water Elemental Brooke is forbidden to share a life with Alex and their half-breed daughter, Ella. Yet local Fallen Angel clans are determined to snare Ella for themselves. Brooke broke the rules once by allowing love to interfere with her Elemental duties. Now she and Alex must put consequences aside again—if they wish to save their daughter’s soul.

Leaping into Indie Publishing has been quite a learning experience, but I’ve loved having control over my cover art, my publishing schedule, and more. Very worthwhile decision! Another writer once said, “It’s a learning process.” She couldn’t have said it better. That is exactly what it is, but very worthwhile.

Thanks so much for having me on the blog today! Any questions or comments are welcome!

Questions from Christine Bode of Scully Love Promo:

Hi Elaine! I just ordered this book from Amazon.com and can’t wait to read it! My first question is when you wrote your main characters Brooke & Alex, did you write them with famous actors in mind and if so, who were those actors?

Elaine: As far as actors/people in mind for Brooke and Alex, yes, absolutely. If I don’t have some kind of visual in my head when I write (be it Hollywood star, old acquaintance, etc.) then the writing doesn’t go as well.

Alex was Kevin McKidd, who has been in a few films but was probably most well known for Grey’s Anatomy in the later seasons. Brooke was Rosario Dawson. Ella was Melonie Diaz.

Bad guys – Soren = Sam Elliott; Cristos = Paul Bettany

There is a Pinterest board I have for WATER’S BLOOD if you want to see pics of all my visual inspiration  And I have one for Book Two as well.

http://pinterest.com/elainecalloway/water-s-blood-book-one-elemental-clan-series-by-el/

Christine: Have you written the second installment of The Elemental Clan series yet?

Elaine: Yes, Book Two of the Elemental Series, RAGING FIRE, is scheduled to be released on 8/1. Am just going through and inputting final beta reader comments now. You can see the cover on its page on my site here:

http://www.thewriterscanvas.com/raging-fire-book-two

My goal is to do the EARTH one by Christmas, the WIND one by spring.

Elaine Calloway grew up in New Orleans with a love of gothic architecture and Author Elaine Callowayall things paranormal. Despite no longer living there, she can still do a decent Cajun accent upon request! She is currently writing The Elemental Clan Series and plotting some ghost stories. To connect with Elaine online, visit her website at http://www.elainecalloway.com.