In Conversation with Bob Geldof’s Drummer of 25 Years and Author of Timing Is Everything (a Memoir), Niall Power


There aren’t many people who know me who don’t know how much I love Bob Geldof and The Boomtown Rats. Even though I’m not always up to date with the latest camp Geldof news, it’s a love that has lasted for 40 years. So, when Bob’s drummer of 25 years (for his solo career), Niall Power, wrote to me through Facebook to advise me of his story since their last Canadian tour, I was at first delighted and then saddened by the news of his retirement from drumming due to Parkinson’s disease. However, it didn’t take long to realize that this is a man who doesn’t let life get him down, which is evident upon reading Timing Is Everything, Niall’s inspiring memoir, published in 2017.

Niall, after reading your book, I was left with the impression that you consider yourself an ordinary man, perhaps quiet and shy, certainly easy-going, who just happened to have a passion for drumming. However, although you never had a plan for your music career, you ended up having quite an extraordinary experience as a session musician, playing for many bands, including Stepaside, Les Enfants, Ordinary Man, Eamonn Gibney, Westlife and most notably, Bob Geldof, with whom you performed for 25 years.

How does a musician get as far as you have in his career without a plan?

I can sum that up in one word, ‘Luck’.

I never set out to be a session drummer and end up playing with so many bands.
As a teenager in the early 1970s, my ambition was to form my own band with my friends, write our own songs and hopefully be the rock gods of the future, like our idols, Led Zeppelin or Deep Purple.

Niall Power 1960

Niall Power in 1960.

My dad was a soldier in the Curragh Camp, Co Kildare, and there were two army marching bands who paraded past our home on most days. I loved their drummers from an early age. There weren’t many teenagers playing musical instruments in the area, so it was always going to be difficult to finalize a lineup for the band.

I was playing the unfashionable accordion and wearing a kilt in the school band during

Niall Power in 1970 on left with accordion.

1970, on left, with accordion.

the ‘Summer of Love’ in 1967. But as soon as I heard The Beatles on the radio, I realized then that I had to learn how to play another instrument to be in a rock band.  I chose the drums after seeing Mickey Dolenz, drummer with The Monkees on television, larking around and generally having fun.

After a few years of practice, much to the annoyance of the neighbors, I finally mastered the art of drumming and set out to join any band that would have me. I had no plan of action for how I was going to achieve this. My armory consisted of my dodgy first drum kit, long hair, a smile and buckets of enthusiasm for the task ahead.

For someone who clearly states in the preface of your book that you are not a writer, I congratulate you on the great achievement of having compiled your memoir, Timing Is Everything, which was written on an iPad with the index finger of your right hand! That, in itself, is a testament to your passion and determination to see a project through to its completion, and your resilience in the face of adversity. You are truly an inspiration, not just because of your drumming prowess, but because of the strength of your character.

I couldn’t help but notice your incredibly positive attitude about life in general and wondered to what would you attribute it?

My attitude to life has never changed from the outset.

I had a very safe and happy childhood and I seem to have kept that feeling with me throughout my musical career. My parents always encouraged me to follow my heart, even though they probably didn’t understand how you could possibly make a living from hitting things, whilst hoping I would come to my senses and get a proper job.  I don’t worry about stuff, including Parkinson’s. Above all, I love playing and creating music, just seeing people in the audience responding in kind to the noise that we make is good enough for me. Not many people get to live out their dreams every day…it’s been some trip.

“And what a drummer. Without question one of the best. I know from whence I speak. In the course of my 40 years playing rock ‘n’ roll, Niall Power is up there/alongside/on par with/equal to literally the Big Hitters. He’s a fucking amazing player.”


“Man he can sing.”


“He glued the band together. Everyone loved him. He was the spirit of the thing. The joy of it. The love of gigging. The fierce ecstasy of playing music…What a man to travel the world with for over 25 years. What a friend to share so much of your life with. The things we’ve done and seen and been together. He’ll remember. I won’t.” 

~ Bob Geldof, Introduction to Timing Is Everything

In the introduction of your book, written by Bob Geldof, he says that the tedium of touring never seemed to affect you. How was that possible? 

Sure, life on the road can be tedious at times. You’re living in a bubble with other musicians and roadies with deadlines to meet every day. Things can get a bit out of hand, tempers flare, we’d do a bad gig, one person thought the gig was great, the other five thought it was crap. Musicians live for the road and as much as I like travelling on the tour bus (your home away from home), it’s only okay for a few weeks. I loved waking up in a different country each day and going for a walk down the Champs Elysees in Paris after being in Amsterdam the previous night. But you also need to stop touring, stop moving at the speed of sound and be at home with your own family. I have always kept a low profile on the road and steered clear of any aggravation that may have been brewing from time to time. As our tour manager ‘The Mick’ (RIP) used to say, “we’re only up for the day.” 

You played with Bob for the Live 8 concert on 2 July 2005 which was undoubtedly one of, if not the biggest, career high of your life. I know that the experience must have been surreal, but what singular treasured memory do you take away from that event? 

I have many memories from that great day in July at Live 8.

The one that sticks in my mind the most is the fact that I had to play someone else’s drum kit without seeing it first. As I play left-handed, the kit was set up right-handed for the previous band’s drummer. So, I walked on stage in front of thousands of people in Hyde Park, live to the world on television, with no time to swap things around.

The song was ‘I Don’t Like Mondays’ and was probably the only song that I could play with the kit being the wrong way around. There was also no vocal microphone, so I did the backing vocals, “tell me why”, into fresh air. You can view this video on YouTube.

It was amazing hanging out backstage with all the other acts including Beatle, Paul McCartney, who signed a copy of my Beatles White Album CD cover, which I just happened to have in my pocket. Timing is Everything! 


Do you know if Bob has any plans to record a new album? If so, will you be singing background vocals on it? 

As far as I know, The Boomtown Rats are due to release a new album in 2019.

There are no new recording plans for another Bob solo album this year. I would hope to make a cameo appearance on backing vocals, when and if the opportunity arises.

I cannot help but ask, is there anything you can tell Bob’s super fans about him that they wouldn’t already know? 

Niall Power and Bob Geldof

2011 London. Photo by Eddy Valdameri.

I don’t usually comment on Bob, but I will say it has been a great pleasure to have had the opportunity to keep the beat behind him for all those years. I never expected it to last more than one tour. A truly amazing time that I will remember forever. His most thoughtful words to me were when I was first diagnosed with Parkinson’s. He said, “You have a job for life in this band.” I replied, “What if I can’t drum?” He said, “We’ll find something for you to do,” so I ended up playing the spoons. 

Do you think that your remarkable memory is simply due to genetics or a result of years having to remember so many songs? 

I put the memory thing down to the fact that I loved every minute of being in a band. It’s not just the Geldof band, but all the bands that I’ve been involved with. I can recall the musicians, most of the songs and how to play them, the venues, the years, etc.; it just seems to stay with me.

Don’t ask me to add and subtract as that part of my memory is definitely missing. 

Have you ever researched whether spicy food such as the Indian curry you so love, may have a positive effect on your brain?

I never looked into the benefits of spicy food on the brain.

Many musicians have a fondness for Indian curry and while visiting a new town with the band, someone would always be on the lookout for the best Indian restaurant.
My DNA tells me that way back many centuries ago, my ancestors are likely to be of Middle Eastern origin, so that’s good enough for me.

I love that your favourite television program during the 1960s was The Monkees! I was born in 1964 but I also remember watching that show when I was a kid and loving it. Have you ever been able to play with Mickey Dolenz? Did you know that he and Mike Nesmith went back on tour last year as The Monkees Present: The Mike and Mickey Show before Nesmith had a quadruple bypass? It might not be too late for you to jam with them! 

Yeah, as mentioned previously, The Monkees were a big part of my musical influences. Every Saturday evening, they were featured on our RTE channel. We only had one TV station in the sixties and music programs were few and far between. It was always ballad singers or light entertainment TV shows with very little choice for young people. Radio was the only option to hear the pop tunes of the day like The Beatles or The Rolling Stones. The Monkees were a breath of fresh air in a dull television schedule.

I met their drummer Mickey Dolenz in Nottingham, England in 1985 when he was working for a TV station. Charming man, and I told him how I would copy his drumming style with my air drumming in front of the television. He’s likely responsible for me being a left-handed drummer as he never seemed to set his kit up the same way twice. He wasn’t a drummer at all, just an actor who played drums in a TV show.

It would be cool to catch up with him again.

One of my favourite sections of your book was on the Thin White Duke. As a lifelong fan of David Bowie, your recollection of having once been his driver delighted me! Do you regret not telling him that you were Bob’s drummer? That was surely a big lesson that timing is everything!!

No, I don’t regret not telling David Bowie that I was a drummer. First rule of employment is that you do the job you were asked to do. My brief was that I wasn’t allowed to speak or ask questions unless I was spoken to. This is normal with celebrities and their hired drivers.

When the opportunity arose and I was just driving David on his own to rehearsal, we did have conversations about various things during the three weeks that I was his band’s driver. Anyway, he did find out that I was a drummer for Bob when both bands played at a concert in Paris a few weeks after my driving job finished.

He was a charming man and I’m so glad I was able to be that close to an icon of the music world.

Niall Power Dubai

Niall Power in Dubai. Photo by Mark Cowne.

Your book contains a very matter of fact outline of your career as a session drummer who travelled the world with many bands, but I noticed that you refrained from including saucy road stories about the types of antics that go on between traveling band mates. Surely, you have one or two amusing anecdotes to share in this regard? 

I’m sure you’ve heard of the phrase, “What happens on the road stays on the road.”  

Well you can’t blame a girl for trying!

On the road, you’ve rubbed shoulders with some of the greats in the music world. What was the single most exciting moment that you experienced and who was it with?

It has to be my first ever time to play live onstage, at the Liverpool Irish Centre in 1975.

Niall Power age 17.

1975 London, age 17.

For the previous four years I’d been bashing away at home, wondering if I was ever going to get it together as a drummer. I was a roadie for all of 1974 with a local band called Just Four. They invited me to go to England on tour with them and I managed to befriend their support group called Midnight who were based in Birmingham. I stayed in England after the tour and moved to London to stay with my friend Jim Sullivan and his family. Jim was the guitarist when we tried unsuccessfully to start our band in the Curragh some years previously. I had told Midnight that I was a drummer looking for a job, and if they were ever changing their drummer to get in touch with me in London.
I received a letter in the post a few months later to ask if I would like to return to Birmingham and join Midnight. I couldn’t believe it, I had never played onstage with a band before and that first gig in Liverpool was a blast. I was probably terrible on the night, but you have to start somewhere and that was where it all began. 

If you could have played with any musician in the world that you haven’t played with, who would you choose?

It has to be George Harrison.

I just loved his music and his vibe. Over the years I have played in many cover bands who performed Beatles tunes in their sets, but it would have been magic to get a chance to play “Here Comes the Sun” with George. 

You have travelled all over the world in your career. What is your favourite place to visit and why?

It would have to be India. We played there on three separate occasions and I loved it. The music is enthralling, the food is incredible, the friendly nature of the people and the sheer size of the place is amazing.

Driving anywhere is a task only to be undertaken by a kamikaze.

The sounds, smells, colours and the poverty have to be seen to be believed.
A truly wonderful country to visit.

Since you retired from drumming in 2015, you have been absorbed in genealogical research, both for yourself and others. What have you been doing in this regard since the publication of your book?

Initially, I only undertook the genealogical search for my own family tree. I found this process to be very helpful for my Parkinson’s situation as it gave me something positive to do after my diagnosis.

I needed a task to engage the brain, almost like doing a crossword puzzle and trying to find answers to the clues. There are many discrepancies on old documents, and it is painstaking work trying to decipher the handwriting and make sense of the information. I’m sure it helped me take my mind off the fact that I was losing the fine motor movements on my left side and my drumming skill was disappearing fast.

I have helped some friends with their own family research, but I’m not going to make a career out of it as it’s very time consuming.

Many Irish documents relating to births, marriages and deaths were destroyed by fire in the Irish Civil War, and only the 1901 and 1911 census records are available to view.
I’m still active with regard to my own family tree and I’ve traced many relations, in Canada and the USA. 

Are you and your wife, Michelle, still farming or working as entrepreneurs? 

Unfortunately, I can’t work anymore with my left hand shaking. It’s now 11 years since

Niall Power at home

Niall in 2016.

diagnosis and the motor skills on my left side are gradually disappearing. For example, I cannot put a letter into an envelope or hold a newspaper without my hand trembling.

I’m so used to the shaking that it that doesn’t bother me anymore, and even though it’s a progressive and incurable disease, I just get on with it and make the best of every day usually tending to the garden. Michelle is my career. 

Can you tell us more about your diet and exercise regime and anything else that has enabled you to make the best of your life with Parkinson’s disease?

Most people will tell you that they altered their diet after a Parkinson’s diagnosis, which I did. I did it as a reaction rather than a necessity. It’s a scary time and the need to do anything to solve the problem is great. My first move was to get supplements from the chemist and I also tried a course of acupuncture and meditation. No real benefits from any of these.

I was aged 50 at the time of diagnosis and in reasonably good shape, so I joined my local swimming club and gym. I rarely miss a day and workout on the treadmill and the bicycle, with some light weights. Then it’s into the pool where I power walk in the water and generally have some fun. This activity may not suit some Parkinson’s patients who have issues with their walking, but I find it very rewarding. You have to find something that works for you and stick with it. Never give up. 

How would you like to be able to help others who have been diagnosed with Parkinson’s? 

During the last year I spoke at a few Parkinson’s related events and basically, I just informed the patients about my exercise routine, and how good it can make you feel to do something for yourself that gives you enjoyment and has many other health benefits. 

What have you been doing since your book was published in 2017?

Since the publication of my book I’ve been trying to keep busy. I went to Australia last October and cycled around 1,200 kilometers in the glorious sunshine state of Queensland. My symptoms decreased significantly, and I will be informing my neurologist about this at my next checkup.

Timing Is Everything will be featured in the book nook at the World Parkinson Congress in Kyoto this year, and who knows, a cure may be soon be found.

Niall Power in 2018

Niall Power in 2018. Photo by Frank Smith.

Bob Geldof: Still Making Music & Better Than Ever At Age 61!

This review is a little late in coming as I saw Bob Geldof in concert last Tuesday night at The Empire Theatre in Belleville with four of my closest girlfriends, but the sheer enthusiasm and joy I felt after witnessing my 5th Geldof concert has not waned one iota!  So I must tell you about it!

I’ve been a fan of Sir Bob’s for over 30 years and have had the pleasure of making some pretty wonderful online friendships (most notably with Julie Koretz, administrator of the Bob Geldof Fans Facebook page who I have been friends with for 10 years) because of a mutual appreciation for the man and his music.  The former leader of Irish punk rockers The Boomtown Rats (1977-1986) is better known for his humanitarian and business endeavours than he is for his music, but make no mistake, this man puts on one of the THE BEST rock shows you are ever likely to see!  I’ve seen some pretty impressive bands including U2, Bruce Springsteen & The E-Street Band, The Clash, David Bowie,  Elton John, Roxy Music, Iggy Pop, The White Stripes, Lenny Kravitz and Matchbox Twenty to name a few, but no one, except for U2 & Springsteen can hold a candle to a live Geldof performance.

In the days leading up to Geldof’s performance in Belleville, Ontario he and

Bob with Jim Barber

the band played shows in Hamilton, St. Catharines, Oshawa and Ottawa.  Bob was interviewed by everyone from the CBC to The Napanee Guide’s Jim Barber (a personal friend of mine) and I got more and more excited about seeing him again.

On the night of his Belleville show, I was reminded that Geldof’s band is absolutely superb!  Guitarist Johnny Turnbull, bassist Pete Briquette (The Boomtown Rats), keyboard player & accordionist Alan Dunn, drummer Jim Russell, percussionist Niall Power and violinist Vince Lovepump (aka Bob Loveday) are as tight and professional a group of rockers as any of the artists I listed above. Not only are they each talented players, but they are so comfortable with each other and with letting Bob have all the limelight that they should be commended for standing by him for so many years.  Niall Power

Turnbull & Briquette

was quoted in an Irish newspaper article last year as saying, “Just let’s say that he doesn’t suffer fools gladly,’ Niall laughs. ‘We’re still friends after all these years so I must be doing something right.”

Then there’s Bob himself.  His unmistakable voice is still as strong and fierce as ever and can be equally soft and tender when the song calls for it.  He never stops moving on stage, sometimes padding back and forth like a caged tiger, arms waving in the air to express emotion in a song or while simply dancing back and forth on the spot like a whiskey-soaked gypsy.  As most people would assume, the verbose Geldof is a master storyteller and his rapport with the audience is second to none.  Whether he’s retelling the story of the inspiration for the song “Scream in Vain” and about how sweet potatoes/yams could feed a whole village in Africa or complaining about his hotel in Belleville being at some crossroads on the edge of town where there’s nothing but a Dollarama, he holds an engrossed audience in the palm of his hands.  He’s not above telling you to fuck off either (he told me to fuck off when I complimented Briquette in his presence after the show…but he said it with affection!) but when he smiles or laughs and those dimples are flashed, women are still melting in his 61-year-old presence.

And I can’t forget to mention the singularly charming anomaly that is Vince Lovepump.  He’s a premier violin and mandolin player but you tend to forget about the notes he’s plucking from the strings because you’re fixated on the crazy, mesh wife-beater shirts that he’s so fond of wearing.  His appearance in Geldof’s joyful trampoline jumping video for “Silly Pretty Thing” makes my BFF Jen & I laugh every time.  In it, Vince and Bob run through a wheat field propelling their arms like airplane wings before Bob jumps on the trampoline to show off his acrobatic prowess while Vince plays the violin beside him, wearing a white mesh wife-beater

Vince Lovepump

with a big stain on it.  It’s hilarious!  (Vince is a benign Ray Winstone.)  And on Tuesday night, Vince’s shirt had a hole in it.  Jen & I are seriously thinking about taking up a collection for him to buy him some new shirts!

Bob’s released 7+ albums with The Boomtown Rats and 5 solo albums since 1977, the latest being 2011’s How To Compose Popular Songs That Will Sellthe ironic title of which is not lost on him.  On Tuesday night he performed selections from the Rats discography (“Banana Republic”, “Joey’s On The Street Again”, “Mary of the Fourth Form” and the classic “I Don’t Like Mondays”) and his solo repertoire – mainly from his last two albums – (“One For Me”, “Scream in Vain”, “Mudslide”, “Systematic Six Pack”, “Silly Pretty Thing”, “Dazzled By You”, “Mary Says” among others) opening and closing the show with “The Great Song of Indifference”, one of my all-time favourites.

I kept turning to look at my friends to see if they were enjoying themselves

L-R: Tracie, Nicole, Jen & Kelly

as much as I was and they were!  Only Jen had seen Bob before and knew what to expect, but Tracie, Nicole & Kelly were blown away by how fantastic the concert was.  They were all grinning from ear to ear.  I wanted to dance throughout the whole show.  As it turned out, I joined the crowd at the edge of the stage for the encore and danced at that point, beaming with rapture, and laughing at a middle-aged man who was in Geldof’s words “going apeshit” while pounding the stage to get his attention.  He wanted Bob to sing a song for his brother who was celebrating his birthday and Bob obliged with the beautiful “Mary Says”.

After the encore (several standing ovations were given to the band during the evening), the die-hard fans waited around for Bob to come back out to the front of the stage to sign autographs and pose for photos, which he does so graciously, and I’m quite sure he has a lot of fun doing it.  It’s hard to not want to have more than 30 seconds or so to talk to the man, but he always makes his time with you memorable.  Tracie asked him to sign her ticket so that it would say Happy Birthday to her as she’d just celebrated her 47th birthday.  Bob was gobsmacked at the fact that she was that old (with a 20-year-old daughter) because she doesn’t look a day over 30 and told her that he didn’t believe she was 47.  Needless to say, she’ll never forget that!

I was waiting in line to get Bob to sign a copy of his Live Target CD that I’d purchased from his tour manager Willo earlier in the evening, and saw Pete on the stage.  As he’s a Facebook friend, I called out to him and introduced myself, saying that I was Christine from Facebook, and Bob turned around and said “You’re Christine!” as I believe he realized that I’m one of the administrators of his Facebook fan page, along with Julie (Jules) and Irene Clayton.  I said, “Yes, I am,” and asked Pete to sign my CD.  So he laid down on the stage and Kelly suggested that his pose would make for a great photo and I replied, “You’re right!  Pete does look good!”  And that’s when

Pete signs my CD!

Bob told me to fuck off.

Bob & Jen had a conversation about Facebook and he said that if she was his friend on Facebook that he’d delete her and that in fact, he’d have a great time deleting people on Facebook!  He is gleeful when “taking the piss out of” someone.

When it was my turn to talk to Bob, he asked me when the last time was that I’d seen them play and I told him that it was in 2003 in Dublin at Vicar Street (he declared his love for the venue) and that I’d seen him in Quebec City the same year and that Jen & I had met him at the Palais Royale in Toronto in 2002.  So Bob replied with, “So you’re like stalkers then!”  I’m telling you, you haven’t lived until Bob Geldof tells you to fuck off and calls you a stalker!  Seriously Bob, I only get to see you every 10 years so that’s hardly grounds for being one!

We all had such a great time that it was hard to leave but it’s only fair to let all the fans who were waiting have their time with Bob and Pete told me that they might just come back to Canada next year to play some more shows.  We can only hope!

If you ever get the chance to see Bob Geldof live in concert, DON’T MISS IT!!! He will undoubtedly exceed your expectations in every way.

2011 Has Been A Good Year For Scully Love Promo!

Photo by Maria Offin Photography

Like every single person I’ve worked with over the past four years as a social media manager and internet promoter, I have trouble promoting me.  It’s not natural for most of us to toot our own horn – and I’m usually quite busy tooting the horns of others – but it’s the end of the year and I am very happy to report that 2011 has been the best year so far for Scully Love Promo!

Over the past year, not only have I doubled my income, but I’ve also:

  • Worked as a social media manager and virtual assistant for several Juno-nominated musicians (as well as a Canadian Folk Music Award winner and CCMA nominee) and kept them organized and in the loop while on tour
  • Assisted a music publishing company in getting 60,000 views of a single video on YouTube in 3 months
  • Helped a Juno-winning musician reach almost 2,000 fans on Facebook in 5 months without using any paid ads or gimmicks
  • Collaborated with an author, healer & public speaker with the launching of her successful social media marketing campaign that has resulted in the sale of hundreds of copies of her book
  • Helped the creator of a 2D animated YouTube series to get noticed by the William Morris Agency in LA & Fashion Television
  • Provided social media assistance and online promotion to three of my favourite Irish singer-songwriters, including Sir Bob Geldof
  • Proofread and edited a 460 page World War II action adventure novel and created a WordPress blogging website for its author

I’ve done many other things as well, but those are some of the highlights.  I continue to learn new things about social media and online promotion, build upon my skill set, talk to and work with the nicest and most interesting people, and relish the luxury of working from home (often in my pajamas!) for clients who truly appreciate what I do for them.  This certainly beats the hell out of working for lawyers!

It is with sincerity, humility and gratitude that I thank the following people for trusting me with social media marketing, online promotion and virtual assistance this year:

Ann Vriend
Darin Steckler
Dawn James
Chris McKhool
Shari Ulrich
Sue Kenney
Lou Tucci
Dave Moore (Roadmap Music)
Brian Howald
Camille Blue Amy
Kelli Trottier
Kirsten Jones
Jennifer Gasoi
Deborah Kimmett
Philip Tennant
Glenna Green
Tim Aylesworth
Deenah Mollin
Kindah Mardam Bey
Per-Henrik Guerth
Peg Campbelton & Michele Heaney
Cheryl Hiebert
Jill Crossland & Connie Larsen
Tom Ivison
Al Rankin
Pauline Vaughan
Michelle Dickerson

It has truly been my pleasure to work with you and I look forward to collaborating further in the future!

And to all my family and friends, both online and off, thank you for LIKING those Facebook pages I’ve invited you (see to, for retweeting my tweets, watching all those YouTube videos, reading my blogs, and for being the awesome people that you are!  I couldn’t do what I’m doing without you!

All my best for a fabulous & non-cataclysmic 2012,

Scully Love Promo’s Facebook Page Is For All Artists!

Hello everyone!

My Scully Love Promo Facebook page offers some great tips on social media as well as information about very talented musicians, authors, photographers, and other artists. In fact, all artists are invited to LIKE the page and are welcome to post links and information about their own work.

Today the Scully Love Promo page has 1,182 members and I would love to see it reach 1,200 by the end of the week. I believe in the power of networking and helping each other to spread the love about our work. There is enough room for everyone to be successful and none of us can do it alone. Especially in light of the changes made to Facebook pages and the fact that if we are not an administrator of a page, we can only share it by either posting a link on our wall or by sending a link via email to our personal friends – unless we want to pay for a Facebook ad. So we need each other more than ever! Cross promotion can be very effective and as you know, it takes a village! I encourage all page owners to LIKE other pages as their page (i.e., refer to the Manage tab in the Admin Panel at the top of your page that says Use Facebook as…in my case, Scully Love Promo) which will feature them in the LIKES box on the right side of the Timeline-style page and help to cross promote those artists or businesses that you would recommend.

The Scully Love Promo Facebook page is just one way in which I promote the talented people that I get to know. I write entertainment reviews and interviews which you are familiar with if you read this blog, for Press +1, Canada’s largest online indie entertainment magazine (it has a readership of 3 million!) and Jill Crossland’s TimeFinders – Women Writing For Women. I also write books reviews for HarperCollins Canada and Simon & Schuster and post them on Amazon, and post press releases for local theatre and music events.

Last but not least, is my Scully Love Promo social media management business. I specialize in assisting musicians and authors with their social media marketing campaigns using Facebook, Twitter, YouTube, LinkedIn, Pinterest, MySpace and WordPress among other top sites, and have created dozens of Facebook pages for artists as well as local businesses. I am one of three administrators of the official Facebook page for Bob Geldof, the Irish musician (former leader of The Boomtown Rats), successful entrepreneur, Band AID and Live AID founder and humanitarian who was knighted by the Queen of England for his tireless fundraising & awareness efforts on behalf of Africa.

I would be honoured to help spread the love about you!

NOTE: This article was updated on March 26, 2012

YouBloom Song Contest 2011 Launched at Awards Night Showcase

You’re a budding singer/songwriter or you’re in a band and all you want is to be heard by someone who knows music, provide some constructive criticism, and maybe help you get your break. You live somewhere like Cork, Manchester, Prague, Shanghai, Chicago or even Kathmandu for that matter, so making the trek to audition for a national talent contest either just isn’t on the cards, or you’re not really looking for that kind of razzle-dazzle.

Enter the 2011 YouBloom Song Contest, the annual internet-based competition conceived by YouBloom founder Phil Harrington and musician/songwriter Bob Geldof. Harrington and Geldof, along with A&R man Nigel Grainge (The Waterboys, Sinead O’Connor, The Boomtown Rats, World Party and Steve Miller Band), songwriter/producer Rupert Hine (Tina Turner, Stevie Nicks), and record producer Damion “Damizza” Young (Snoop Dogg, Ice Cube, Mariah Carey) have joined together to offer their experience and guidance, instincts, contacts, knowledge of what it takes to be successful in the music biz, and their ears to singer/songwriters and bands from all over the world who submit an audio performance of an original song to the YouBloom website.

The 2011 YouBloom Song Contest, now in its second year, has just begun taking song submissions, and all details are posted at

In the YouBloom Song Contest, artists enter their songs into rounds of heats, playoffs and finals with cash prizes. In each round, as well as member voting playoffs, there is a judging session with a panel led by the iconic Bob Geldof, a long time friend of YouBloom Founder, Phil Harrington.

YouBloom is the brainchild of entrepreneur and musician Phil Harrington.

“My vision and that of everyone involved with YouBloom is to build a new global economy of artists which will change the dynamic of the industry and at last drive the internet to deliver creatively and financially for artists.

The current file-sharing and free-download culture makes it almost impossible for unsigned artists to monetize their music and YouBloom seeks to change that.”

“However, we felt it was important to bring YouBloom into the real world, so that is why we are launching a program of YouBloom Live events, where we can start to showcase the talent on YouBloom in real time to a live audience. I will be over from LA for our first YouBloom Live event in London, which will be a really exciting night for us.”

“For too long new artists with talent have not been able to get a good listen or a fair deal,” says Phil. “It’s also frustrating that the only music competitions being supported by the media tend to be focused on Karaoke-style contests which ignore the need to encourage and support originality, which is the real core of music.”

In order to provide support for the participating artists in the Contest, Phil set out to introduce a judging panel of industry experts who would provide valuable constructive critiques during the contest, calling in long-time friends Bob Geldof, A&R genius, Nigel Grainge and songwriter & music producer Rupert Hine. Says Harrington, “Bob and Nigel work really well together having forged a close relationship after Nigel signed The Boomtown Rats to his Ensign label. They are all passionate about the need to find and nurture undiscovered musical talent.”

“This contest is about finding the next generation of influential writers and performers and helping to give them a more financially viable future,” echoes Nigel. With their intention to assemble a cross-genre panel of judges they enlisted US megawatt record producer, Damion “Damizza” Young for the 2010 Contest.

Last year’s grand prize YouBloom Song Contest winner, pop/folk singer/songwriter Neev Kennedy, and the three Grand Finalists, were honoured at a special YouBloom LIVE awards event and live performance showcase at the Cobden Club in London on February 10 when the 2011 Contest was launched. Geldof, Harrington and Grainge presented Kennedy with a Grand Prize trophy plus a cash prize of €10,000 (£8,500) and fans received an in-concert taste of Kennedy and Grand Finalists soul/R&B artist Renny C, rock/pop singer/songwriter Marina V, and indie rockers Intermission. Also playing that night was Her and The Colours, Quilla Constance, Joseph Dean Osgood and The Guilty Ones.

“Song contests have been done before a million times. But this isn’t X Factor or American Idol. That’s great television and entertainment and can find spectacular voices, but we would like to find the songwriters and let their peers decide their value and thus their audience,” says Geldof. “It’s not a re-invention of the wheel, just a little push of the same wheel for those who should be heard. Last year, our first year, the model proved itself in a suitably modest way. The contestants liked it. Thousands participated. Maybe millions will vote this year, but even if they don’t, some good music and artists have already come out of it, and that’s what we set out to do. Who knows where it will go?”

Nigel Grainge, the man who found so many of our more famous songs and signed and developed the artists, says “the essential A&R function of record companies is disappearing now that talent spotting logic is being left to the web. We’re allowing the audience to find and sift the talent as was done in the past and decide which artists will develop.

That’s the key. We can offer some guidance, given that we’re all ancient, but that’s about it. It’ll be interesting at least. I’m looking forward to seeing what turns up.”

YouBloom Song Contest Annual Semi-Final 2010

Eden Refugee – Poetry and Lyrics by Christine Bode


Christine Bode self-publishes her first book of poetry – Eden Refugee – available at

KINGSTON, ON – JUNE 26, 2008Christine Bode was born and raised in Kingston, Ontario, Canada. She has lived in Toronto and Vancouver and has been writing poetry and song lyrics since she was a teenager. Her first poem, about Shaun Cassidy, was published by Scholastic Book Services in Rock’s Biggest Ten and in 16 Magazine in 1978. Encouraged by a personal letter received from Bob Geldof in 1987 and mentored in this decade by Canada’s legendary broadcasting icon, author, actor and Renaissance man, Patrick Watson, she continues to write and almost understands the meaning of metre. Some of her work has been published in local newspapers, various American anthologies and on the Internet. Many of the original versions of the poems and lyrics in Eden Refugee have been edited.

Christine is the owner and operator of Scully Love Promo, an Internet based business through which she provides online marketing and promotion for first class talented musicians, authors and other artists.  Christine is also a senior entertainment writer for and contributes concert and CD reviews as well as a monthly feature called Actor’s Spotlight.

EDEN REFUGEE viscerally reflects the experiences of a young woman consumed by sex, drugs, rock’n’roll, unrequited love and a constant quest for spiritual enlightenment.

This is Christine Bode’s first published collection of poetry.

Link to preview the book or order your copy of Eden Refugee at:

ISBN: 978-1-4357-2630-7