5x JUNO nominated/6x CFMA winning mando-maestro Andrew Collins Trio Release “And It Was Good” at Hugh’s Room on Fri. Oct. 21

FOR IMMEDIATE RELEASE:
September 12, 2016

Good Times Are Sure to be Had when 5x JUNO nominated/6x CFMA winning mando-maestro ANDREW COLLINS TRIO release ”AND IT WAS GOOD” HUGH’S ROOM – FRI OCT 21, 8:30PM

The Andrew Collins Trio

“Light of touch, fast of wit, copiously imaginative, and a musical scholar of the highest distinction, Toronto mandolin virtuoso pulls out all the stops” ~ Toronto Star

“Boundaries? What boundaries? Toronto mandolinist Andrew Collins ignores them all!” ~ Penguin Eggs

“To call Andrew Collins a master of the mandolin would be putting it mildly…. artfully arranged string music perhaps best described as ‘chambergrass’ shines through – 4/5 stars” ~ Exclaim! Magazine

Andrew Collins is a part of the firmament. He’s the mercurial, 5x JUNO-nominated/6x CFMA winningmando-maestro behind two of Canada’s top-billed string bands – The Foggy Hogtown Boys and the Creaking Tree String Quartet. An adventurous musical explorer, he lands somewhere between the re-imagined worlds of Béla Fleck and Newgrass invader, David Grisman.

Together with fellow members of the Andrew Collins Trio (ACT) – string guru Mike Mezzatesta and in-the-pocket bassist James McEleney – good times are sure to be had with their sophomore release And It Was Good CD.

Sitting atop a catalogue representing 2 solo records, 11 collaborative releases, and 2 with his Trio, Collins appears to live by the old adage, “idle hands are the devil’s workshop” – because “And It Was Good” tackles Creation itself – likely keeping him just ahead of the devil’s grasp.

On his Trio’s new disc, all three players assault the 7 days of Creation, brilliantly rendering each day’s story to secular musical fruition in this new, Chamber Grass disc. “And It Was Good” IS good – a labour of love inspired by the late Oliver Schroer, if not overseen by his musical specter. The result is a lush-sounding, multi-layered composition bringing fresh meaning to an age-old story while demonstrating the depth of musicianship from each of these three inspirational players.

The trio’s instrumentation (mandolin, mandocello, fiddle, guitar, bass, mandola) is augmented by the Phantasmagoria String Quartet to add necessary shading and colour to each track, all carefully composed by Collins. Opening with “Light from the Darkness”, the use of mandolins, bass and strings transforms the concept of nothingness into the semblance of light appearing through two distinct movements that build in intensity as the world awakens.

The title track representing the last day breaks into what can only be called a gleeful, up-tempo celebration of life itself. The mandolin-driven piece draws heavily upon bluegrass with its bursts of fiddle, backdrop of acoustic guitar while the bass holds down the bottom. Everyone is clearly having a Good time in “And It Was Good”, now that the hard work is done!

The Andrew Collins Trio– admired for their absolute virtuosity – have been somewhat reborn through their re-creation of a story that brings a certain reverence to the party – and a distinctly unique approach to ensemble playing that represents a Second Coming of …shall we say 🙂 ….biblical proportions.

WHERE:
Hugh’s Room, 2261 Dundas W, Toronto

WHEN:
Friday, October 21, 8:30pm

TIX:
$22.50 adv / $25   |  416-531-6604  |   info@hughsroom.com   www.hughsroom.com

VIDEO:

https://youtu.be/7OsYx_jTBVw (30 sec clip)
www.andrewcollinstrio.com/videos (5:28 min)
www.andrewcollinstrio.com
www.facebook.com/TheAndrewCollinsTrio

 

Andrew Collins Trio

 

Canada Council for the Arts

 

 

MEDIA ENQUIRIES:

Lisa Weitz,  LW Communications  lw@lwcommunications.ca  416-624-3466 | 416-846-6877 (cell)

Canada’s Fiddle Phenom ANNE LINDSAY Finds Personal Triumph in SOLOWORKS & Performs at Toronto’s Hugh’s Room on June 3rd!

FOR IMMEDIATE RELEASE:
April 23, 2015

Genre-defying fiddle player Anne Lindsay

[Toronto ON]  You already know Anne Lindsay – the exuberant fireplug of a session-player-to-the-stars (Led Zeppelin, The Chieftains, Blue Rodeo, James Taylor, Roger Daltrey) whose skills have graced many a stage around the world, adding significantly to the musicality of anyone she supports. She has also built a formidable career on her own as a musician, composer and vocalist — all showcased brilliantly on her new album, Soloworks. Toronto audiences will have the good fortune of hearing this for themselves at Anne’s CD launch on Wednedsay, June 3rd, 8:30 pm at Hugh’s Room!

Soloworks was triggered by life – or, in this case, the deaths of her father, and her musical soul-mate, Oliver Schroer, the loss of which thrust the former Stewed Tomato into music all the more. A subsequent tour of Italy led her to the tiny, medieval hamlet of San Felice, where she would practice in an old chapel, growing increasingly intoxicated by the building’s acoustics. This grew into a series of acclaimed solo shows, and the genesis of Soloworks.

A visit to Scandinavia following her work in a musical production of the Lord of the Rings found her digging deep into Nordic culture and the fiddle styles which had once moved Schroer. Together, these experiences formed the backdrop for this intensely personal collection of 13 tracks featuring Anne’s violin, nyckelharpa, vocals – and one piece for cello, played by Amy Laing.

Chapel-tested in Tuscany before they were painstakingly recorded in the rich acoustics of Toronto’s Timothy Eaton Church, these compositions cut to the heart and bone of human emotion.

It is life experience from all corners that fuels Anne — from the exuberance of the Majengo Children’s Home choir leading off “The Dusting Rag”, to the rapturous “Seas Will Rise”, written in and inspired by South Africa in celebration of the human spirit.

“Pilgrimage to Pushkar” and “Dogs in the Hollow” were written in India, an homage to Anne’s studies of Indian classical music with virtuoso Trichy Sankaran. Anne’s Arctic sojourns to Canada’s Nunavut and Finland’s Akaslompolo, give us “The Cold Told A Tale”, a testament to the tenacity of peoples in the far north, lyrically referencing the Nordic epic, The Kalevala. Clearly, music transcends all borders.

Anne’s boundary-hopping ways also reveal themselves in her insatiable interest in music of any stripe – jazz, rock, country, celtic, classical and klezmer. Indeed, the act of playing all music, of deriving joy and fun from having danced this dance around the world is what Soloworks is all about – a major artistic accomplishment, and a personal triumph.

Anne will also be leading the Swedish tunes at the World Fiddle Day celebrations in Toronto at Fort York on Saturday, May 16th at approximately 3:30 pm.

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WHERE:    Hugh’s Room, 2261 Dundas St , Toronto
WHEN:      Wed June 3, 8:30pm
TIX:           $20 advance  |  $22.50
INFO:        info@hughsroom.com  416-531-6604
VIDEO:      


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• 2011 OCFF Songs From The Heart – Instrumental Award
• 2011 Canadian Folk Music Awards Nominee – Instrumental Solo Artist of the Year
• 2007 National Jazz Awards – Violinist of the Year
• 2007 Canadian Folk Music Awards winner – Instrumentalist of the Year
• 2007 Canadian Folk Music Awards winner – Producer of the Year
• 2006 KM Hunter Award winner
• 2006 OCFF Songs From the Heart Award winner – Instrumental

“A fiery violinist!” ~ Toronto Star

“Miss Lindsay is a strikingly attractive stage performer as well as a talented singer and jazz violinist.” ~ Globe and Mail

“Anne Lindsay … cut the night air with a brilliant fiddle solo that proved to be one-third Ashley MacIsaac and two-thirds Jimi Hendrix.” ~ Peterborough Examiner

“Whether she’s laying down Celtic riffs, wailing on a Jim Cuddy set or tugging on a mama’s Yiddish heartstrings, Anne’s nuance and passionate style wins her fans wherever she plays.” ~ Oliver Schroer

“Anne Lindsay is a Canadian treasure.” ~ Stuart Laughton, Artistic Director, Haliburton Forest Festival

“She is just unbelievable.” ~ Scene & Heard

“Ottawa audiences were taken with Lindsay’s fiddling, rising to their feet almost every time she put bow to string.” ~ Ottawa Life

“Anne Lindsay is a thoughtful musician, staking out original territory for her violin voice. A consolidation of Lindsay’s work thus far, and a delightful plunge forward….sounds like a conversation with God.” ~ Penquin Eggs

“It is a treat to be around her natural musicianship and warm personality. Anne always makes a huge positive impact on any musical project with which she is involved, she is a special talent!” ~ Phil Dwyer, Jazz musician and composer, Order of Canada

www.anne-lindsay.com
https://soundcloud.com/anne-lindsay

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Ontario Arts Council
MEDIA ENQUIRIES:
Lisa Weitz,  LW Communications
lw@lwcommunications.ca
416-624-3466 | 416-846-6877 (cell)