Sills & Smith Band Releases Music Video for They Don’t Come Knocking

FOR IMMEDIATE RELEASE
June 25, 2016

SILLS & SMITH BAND RELEASE MUSIC VIDEO FOR
THEY DON’T COME KNOCKING

Sills & Smith Echoes in Time

[Ottawa, Canada]  Sills & Smith, led by Ottawa singer-songwriters Jeremy Sills and Frank Smith, has just released a music video for the song They Don’t Come Knocking off their fifth studio album Echoes In Time. The video was produced by musical friend Robin Youlton, who has teamed-up with Sills & Smith for several music videos, including other Echoes In Time tracks We Are Receiving and Slicing Up The Clouds. Watch They Don’t Come Knocking on YouTube now.

Sills & Smith has independently released five studio albums of music that boldly blends and bends elements of folk, alternative rock, progressive rock, with hints of blues and jazz. On the heels of their critically acclaimed album Etched (2014), the band entered the studio for a second time with legendary producer Phillip Victor Bova (Bova Sound) in the summer of 2015 to record Echoes In Time.  The latest album — released in November, 2015 — includes 13 melodic, original songs and 60 minutes of music.

Echoes in Time features a stellar cast of players, with the core group: Frank Smith (words/music, vocals); Jeremy Sills (music, vocals, acoustic guitars, piano, trumpet); Phillip Victor Bova (recording engineer/producer, electric and acoustic bass) and T. Bruce Wittet (drums/percussion). Brilliant supporting musicians include: Kevin Breit – electric guitars and mandolin, Blair Michael Hogan – electric guitars, Roddy Ellias – electric guitar, Jim McDowell – organs, Don Wallace – electric guitars, Tara Holloway – vocals, Linsey Wellman – saxophone.

Grace Smith designed the beautiful, four panel digipak CD edition of the album. Sills & Smith “Echoes In Time” is available on iTunes, Amazon, CD Baby, Bandcamp and in select box stores. The band’s first three critically acclaimed albums of all original material: The Glorious Ache (2013), No Way In, No Way Out (2012) and Uncertain Vista (2011) were recorded and produced by Jonathan Edwards in his studio, Corvidae Music.

Jeremy and Frank have been inspired to continue rehearsing and writing new songs. They have an album’s worth of originals written for the next Sills & Smith recording, expecting to return to the studio in the spring of 2017.

Sills & Smith band online:

https://www.reverbnation.com/sillssmith
https://www.facebook.com/sillssmith
http://sillsandsmith.bandcamp.com/album/echoes-in-time
https://www.youtube.com/user/SillsandSmith
https://itunes.apple.com/us/artist/sills-smith/id462351918
https://twitter.com/SillsandSmith
https://sillssmith.bandcamp.com/album/the-glorious-ache

“No matter where Sills & Smith travel on Echoes in Time, though, the duo always hover around that same mid-’70s arena rock era, oftentimes stripping some of the “progressive” out of their brand of prog rock. Overall, Sills & Smith come off as seasoned and focused songwriters and distinguished instrumentalists on Echoes in Time. (Independent) – Get It” – Daniel Sylvester, Exclaim (Jan 10, 2016)

“Do not operate heavy machinery while listening to Echoes in Time, the fifth album from the Canadian duo of vocalist and multi-instrumentalist Jeremy Sills and vocalist Frank Smith. In fact, this mesmerizing album is best heard when you have the time to sit back and let the music — a light blend of folk, prog and rock with hints of jazz and blues — float into your head. Because Echoes in Time takes its time, and that’s not a bad thing. Sills & Smith open the album with “We Are Receiving,” a strolling song that gradually picks up the pace. “The Chalice/The Blade” is one of the duo’s dreamiest and most melodic songs, while a lone saxophone lends the ballad “One Step Behind” a film noir atmosphere… Taken collectively, these songs make Echoes In Time Sills & Smith’s best album yet”  – Michael Popke, Sea of Tranquility (Feb 09, 2016)

“Sills and Smith have made Etched an obvious labour of love, and this effort permeates the entire album.”  –Tristin Norenberg-Goodmanson, Earshot – The National Campus Community Radio Report (Feb 17, 2015)

 “This Ottawa band is growing by leaps and bounds with each new song. Living On An Island – Sounds like: A plea.” – Larry Lootsteen, Alan Cross – A Journal of Musical Things (Dec 11, 2013)

 

Styx Rocks Kingston, Thursday, November 14 at Rogers K-Rock Centre

Styx Rocks KingstonAN EVENING WITH
STYX ROCKS KINGSTON

THURSDAY, NOVEMBER 14 – 2013 @ ROGERS K-ROCK CENTRE

WITH SPECIAL GUESTS – LEGENDARY CANADIAN PROG-ROCK BAND SAGA

STYX – Tommy Shaw, James “JY” Young, Lawrence Gowan, Todd Sucherman, Ricky Phillips and Chuck Panozzo. Spawned from a Chicago basement in the early ‘70s, STYX would eventually transform into the virtual arena rock prototype by the late ’70s and early ’80s, due to a fondness for big rockers and soaring power ballads. Over the course of their 38-year career they’ve released 15 studio albums, 6 best-of compilations and 4 live albums, garnering 8 Top Ten singles. STYX has sold over 30 million albums worldwide. Throughout their illustrious career, they’ve performed more live shows since 1999 than all of the previous years of its career combined. Two Super-Bowl appearances, Pollstar box offi­ce chart-topping tours, two more studio albums and no end in sight, STYX continues to conquer the planet, one venue at a time.

Styx’s music reflected such then-current prog rockers as Emerson, Lake & Palmer and the Moody Blues, as evidenced by such releases as 1972’s self-titled debut, 1973’s Styx II, 1974’s The Serpent Is Rising, and 1975’s Man of Miracles. While the albums (as well as non-stop touring) helped the group build a substantial following locally, Styx failed to break through to the mainstream, until a track originally from their second album, “Lady” started to get substantial airplay in late ’74 on the Chicago radio station WLS-FM. The song was soon issued as a single nationwide, and quickly shot to number six on the singles chart, as Styx II was certified gold. By this time, however, the group had grown disenchanted with their record label, and opted to sign on with A&M for their fifth release overall, 1975’s Equinox (their former label would issue countless compilations over the years, culled from tracks off their early releases). On the eve of the tour in support of the album, original guitarist John Curulewski abruptly left the band, and was replaced by Tommy Shaw. Shaw proved to be the missing piece of the puzzle for Styx, as most of their subsequent releases throughout the late ’70s earned at least platinum certification (1976’s Crystal Ball, 1977’s The Grand Illusion, 1978’s Pieces of Eight, and 1979’s Cornerstone), and spawned such hit singles and classic rock radio standards as “Come Sail Away,” “Renegade,” “Blue Collar Man” and “Fooling Yourself.” The band decided that their first release of the ’80s would be a concept album, 1981’s Paradise Theater, which was loosely based on the rise and fall of a once-beautiful theater (which was supposedly used as a metaphor for the state of the U.S. at the time — the Iranian hostage situation, the Cold War, Reagan, etc.). Paradise Theater became Styx’s biggest hit of their career (selling over three million copies in a three-year period), as they became one of the U.S. top rock acts due to such big hit singles as “Too Much Time on My Hands.” It also marked the first time in history that a band released four consecutive triple-platinum albums. A career-encompassing live album, Caught in the Act, was issued in 1984, before Styx went on hiatus, and the majority of its members pursued solo projects throughout the remainder of the decade. A re-recording of their early hit, “Lady” (titled “Lady” ’95”), for a Greatest Hits compilation, finally united Shaw with his former Styx bandmates, which led to a full-on reunion tour in 1996. But drummer John Panozzo fell seriously ill at the time (due to a long struggle with alcoholism), which prevented him from joining the proceedings — as he passed away in July of the same year. Although grief-stricken, Styx persevered with new drummer Todd Sucherman taking the place of Panozzo, as the Styx reunion tour became a surprise sold-out success, resulting in the release of a live album/video, 1997’s Return to Paradise, while a whole new generation of rock fans were introduced to the grandiose sounds of Styx via a humorous car ad which used the track “Mr. Roboto,” as well as songs used in such TV shows as South Park and Freaks & Geeks.

SAGA is a rock quintet, formed in Oakville, Ontario. Jim Crichton and Welsh-born vocalist Michael Sadler have been the principal songwriters for Saga. Ian Crichton is the band’s guitarist; apart from his work with Saga, he has recorded several solo albums as well as sessions with Asia. The band’s keyboardist, Jim “Daryl” Gilmour, joined Saga in December 1979. With over 20 albums they are truly one of Canada’s rock treasures. Saga has been awarded gold and platinum albums worldwide and has sold more than 8 million albums.

TICKET AVAILABLE STARTING AT $29.50, $49.50 and $75.00

Tickets can be purchased online at www.k-rockcentre.com or in-person at Rogers K-Rock Centre Box O­ffice.

LIMITED QUANTITIES! SAGA VIP ‘TEAR DOWN’ MEET & GREET PARTY PACKAGES 

Includes awesome seats for the concert, after-party reception with SAGA, Concert poster, MC, Prizes and BIG CAKE.

FOR MORE INFORMATION

Mae Finlay
OTX Events.com
mfinlay@otx.ca
613.532.5997

www.styxworld.com
www.sagaontour.ca
www.k-rockcentre.com
www.otxevents.com
www.ambassadorhotel.com