Live Wire Music Series is excited to announce its 2012 winter line-up, which showcases some of Canada’s finest musicians. We are kicking off the new year with a double-bill featuring the masterful blues musician Ray Bonneville, (“master of the slow burn, the gentle funk, the infectious rhythm“- The Ottawa Citizen) together with the remarkable duo Madison Violet (“exquisitely lovely and haunting harmonies- poised for greatness” – Winnipeg Free Press)
Ray Bonneville and Madison Violet
Sat. Feb. 18, 7:30 pm
Octave Theatre, 711 Dalton Ave. Kingston
Tickets: $20 in advance, $25 at the door (if available)
On sale now at Brian’s Record Option (613-542-2452) and Tara Foods
More on these two great acts below.
And coming next – get these dates on your calendar!!!
Ray Bonneville is a roaming blues poet, inspired by the road and the many other places he has called home—New Orleans, Colorado, Arkansas, Alaska, Boston, Seattle and Paris, France. Born in Canada and raised in the United States, Bonneville has lived all over. No place, however, has been more influential than New Orleans.
In the streets and clubs of New Orleans, Bonneville soaked up the prevalent take-your-time attitude that ran through the music being played there. “There’s something about the heat and humidity that makes people slow down,” he says. “New Orleans is where I learned to take my time, to allow space between the notes so the songs could truly groove.” That groove is at the core of Bonneville’s sound. A one-man band, he backs up weathered, storytelling vocals with a highly percussive guitar style, dramatic harmonica lines and a foot that keeps the rock steady beat. The result is a big sound with an almost primitive quality. It’s visceral, raw music.
Honing his craft for the last 30 years, Bonneville’s gritty storytelling and deep-grooving blues style has won him much critical attention. In 1999, Ray won the prestigious Juno Award (Canadian Grammy) for his third album Gust of Wind. His fourth release, Rough Luck, was also nominated for the coveted award. With his 2004 Red House debut Roll It Down, Ray made himself a name in blues and roots music circles, garnering rave reviews from DownBeat and No Depression. He has toured all over the world, sharing the bill with such blues legends as B.B. King, Muddy Waters, J.J. Cale and Robert Cray and in 2007 wowed the music industry with his bring-down-the-house performances at the South By Southwest and Folk Allianceconference. A world-class guitarist, harmonica player and hard-hitting songwriter, it is no wonder that Ray has received rave reviews from blues, jazz and roots critics alike and can count among his fans such artists as Chris Smither and Ray Wylie Hubbard. His current Red House Records Release, Bad Man’s Blood, is Ray at his best, stripped down and raw, with some of the best songwriting ever from his long career.
Finding the good in goodbye is always bittersweet. JUNO nominated roots duo Madison Violet (Brenley MacEachern and Lisa MacIsaac) can attest to that with their latest release, The Good in Goodbye. An album born from their growth, both together and apart, The Good in Goodbye is an open diary of their personal and professional experiences together as friends and musicians, two very unique relationships that affect each other in profound ways.
Since releasing their last album, No Fool for Trying (2009), Madison Violet won the 2009 John Lennon Songwriting Contest for their track “The Ransom,” took home the 2009 Canadian Folk Music Award for Vocal Group of the Year, and were nominated for multiple East Coast Music Awards and a 2010 JUNO Award for Roots & Traditional Album of the Year (Group).
Receiving a mass of acclaim from outlets including the BBC, the CBC, Maverick Magazine, NPR, and Penguin Eggs Magazine, No Fool for Trying made dedicated fans of even the most hard-to-crack critics. Ultimately, Madison Violet captured the attention of Mojo Magazine, landing “Small Of My Heart” on the publication’s distinguished playlist, “Mojo’s Top 10,” in December 2009. Madison Violet also have the unique distinction of being the only Canadians to win The John Lennon Songwriting Contest.
As a follow-up to their breakthrough successes in 2010, The Good in Goodbye captures the duo’s growth and musical maturity. Their distinct take on iconic Americana-inspired up-tempo melodies beautifully contrasts with their breathtakingly sweeping and personal lyrics, creating songs that blend nods to Lucinda Williams and Gillian Welch with radio-friendly flecks of The Court-Yard Hounds.
The duo has sold-out venues across North America and Europe, had the prestigious distinction of touring with Stuart McLean’s Vinyl Cafe, and has shared stages with contemporaries such as Chantal Kreviazuk, Ron Sexsmith and The Indigo Girls. With their newest effort, Madison Violet prove they’re among Canada’s brightest singer/songwriters.